July 14, 2022 – Tauron Arena, Kraków, POL

Show Notes:

This show, only a few hundred miles away from the Ukrainian border, is heavily tinged with the shadow of that war. Mike is once again masked up for the entire show. Ed gets into Sometimes, nearly screaming the final lines.…

Show Notes: 

This show, only a few hundred miles away from the Ukrainian border, is heavily tinged with the shadow of that war. Mike is once again masked up for the entire show. Ed gets into Sometimes, nearly screaming the final lines. Porch is a surprise early, away from its usual main set-ending slot. Ed takes a moment after to speak about what’s on his mind:

We will not play a place as important on the world stage as the place that we play tonight…to be invited to play a place, you know, the proximity to this conflict, it’s difficult to find words, except for the war in Ukraine is a gigantic fucking tragedy for the entire planet. 

He continues, telling Putin to fuck off, before continuing on an incredible run of songs, some of their most powerful and impactful songs in the catalog, including Quick Escape, which keeps getting better and better. The breakdown at the end rivals anything they’ve done in the past, it’s mesmerizing. Paired with Dissident, they make for an “escape” themed duo, no doubt with Ukrainian refugees in mind. Ed asks the crowd to step back after Buckle Up, as there is no barricade in front of the crowd. Mike is searing on Even Flow, letting note after note wail as Ed walks behind the stage and greets the crowd there. Unthought Known transitions right into Once. Who Ever Said returns, for the first time in Europe, along with the Devo-style “Satisfaction” tag. Ed says they’re going to take a request, and they play a stellar version of Hard To Imagine, the first time it’s been played since the Third Man Records show in 2016! To end the main set, Rearviewmirror finally returns, the first time in 13 shows! Ed drops out on the “…once you…” lines, letting the crowd take the big scream, picking it back up in the middle of the last verse. After the break, Ed thanks the crowd, saying:

…especially, the last couple of years, we couldn’t even, you know, the dream that had been a reality for us for decades was no longer a reality, and we didn’t get to commune with other people, we didn’t get to gather in large groups, and as much as I thought I wouldn’t miss it, or we wouldn’t miss it…we’ve been so fortunate already, I wouldn’t want to be greedy about it, but man, as soon as we weren’t allowed to do it, it seemed like something so very important, and we’re so grateful to be in a room like this, in a place like this, country like this, all together…

He goes on to thank numerous local organizations and people who’ve been on the front lines in the Ukrainian relief effort, pointing out while reading names that they’re all women, and Better Man is introduced with the line “…can’t find a better woman.” Ed improvs some lines during the tag, “if you need me…if you need me…I will be there for you, I promise you…because someday I might need you too…” Small Town is played to the back of the arena. Prior to River Cross, Ed says “this is a song about borders…wishing there weren’t borders.” A Ukrainian flag makes its way on stage before RITFW and Ed drapes himself in it. The longest encore of the tour so far. After introducing the band (including himself as “the guy who drank the most wine on stage tonight”), Ed adds:

…alright, look…hopefully we’ll get to do this again very soon, but in the in-between, every day is critical, we’ll be thinking about you…this part of the country, this part of the planet, of course with this kind of memory in our hearts, in our minds, we’re gonna be thinking positive things, you’ll have our support as well…the planet is grateful. We love you.”

He lingers on stage for a few extra moments after the band leaves, waving and acknowledging people in the crowd, as a chant of “Ed-die, Ed-die…” begins, bringing the show to a close.


July 3, 2018 – Tauron Arena Kraków, Kraków, POL

Show Notes:

Of the Girl and Present Tense makes for an interesting open. Ed first greets the lively crowd after Do the Evolution, recounting their first Polish show, Warsaw in 1996, and remarks it’s their first time in Krakow. Other Side is…

Show Notes: 

Of the Girl and Present Tense makes for an interesting open. Ed first greets the lively crowd after Do the Evolution, recounting their first Polish show, Warsaw in 1996, and remarks it’s their first time in Krakow. Other Side is played for only the 3rd time, and the first since 2013. Green Disease is requested in an unusual fashion by a couple of girls: “not normally do we get requests on the forehead,” Ed says. Later, playing Garden, he shares “it was written a long time ago, but still has a lot of meaning to us.” You Are and Given to Fly pair well together near the end of the main set. After the break, toward the end of Just Breathe, the front of the house sound console fails, and the crowd finishes the song singing it a capella, transitioning into the outro of Black. Under the bed of Wasted Reprise, Ed discusses the importance of various protests in the country, including pro-gender equality and LGBT rights demonstrations, the protest for the rights of people with disabilities, and the threats in the country to limit peaceful protests. The crowd is engaged in some call and response during the Better Man jam with Ed improvising off of Save it for Later, stretching the song out to 8 minutes. Alive completes the show’s Mamasan trilogy, Once and Footsteps having been played earlier in the encore. Show heavy on Riot Act-era songs and Ten songs, an unusual juxtaposition.


July 3, 2014 – Open’er Festival, Gdynia, POL

Show Notes:

After some much-needed days off, the night kicks off with a fury of light and sound as Go roars to life. Ed welcomes the crowd with a safety check and some ground rules for front-row moshing. With these instructions, he…

Show Notes: 

After some much-needed days off, the night kicks off with a fury of light and sound as Go roars to life. Ed welcomes the crowd with a safety check and some ground rules for front-row moshing. With these instructions, he reminds the crowd to…Mind Your Manners. He shows off his (lack of) Polish speaking skills before Given to Fly, translated as “It’s a beautiful night…it’s a beautiful night…It’s getting chilly…let’s warm up…to each other…bless you.” Afterwards, he dedicates the next song to the promoter Nicolas, saying:

“He had to call someone in Warsaw because one of us didn’t have his passport and couldn’t get in.  But as you can see, we are all here and we are very grateful for them trusting us. Thank you, authorities. Usually you like to say, like, “fuck the police,” “fuck the government,” but every once in while you gotta think…like, oh god we will suck their cocks if they just let us get in to play the goddamn show…”

Ed pauses for some creationist criticism around Do the Evolution. After Jeremy, Ed takes a moment to introduce Matt Cameron on the drums and informs the crowd he will be back again the following night playing drums with Soundgarden. Shout outs to MGMT, Jack White and Faith No More (all performing at the festival) as the band begins Unthought Known and blends it into Public Image. After the break, Ed begins listing places in Poland they have played. After mentioning Gdynia twice, he quips:

“…this guy, we saw him four years ago and he still hasn’t put on a fuckin’ shirt! I am not sure….you are either going to get laid tonight…or you are definitely not getting laid, I’m not sure how it’s going to go. What the fuck, you must have a huge…ego. And maybe a small…town.”

And with that, the band moves into Small Town, Better Man, and reaches a crescendo with Porch. Andrew VanWyngarden (MGMT) joins for a closing Baba O’Riley, with Ed telling the fans “Goodnight, ciao…let’s do it again sometime…”