Episode 241: Mansfield, MA – 7/11/2003

Ladies and gentlemen, this is the big one. After two weeks of hype, we have now reached the third night of the Mansfield Experiment. Anybody who was there remembers it clearly – getting to the venue early for Pearl Jam to hit the stage around 5:30, witnessing them in the daylight, wanting to stand and cheer while the band eases in with an acoustic pre-set. It is almost inarguable that this show is the most important and celebrated within the history of this band, finishing a 3-night stand where a total of 97 unique songs were played. This show would feature 45 of those songs, the most that have ever been crammed into one Pearl Jam show to date.

To accomplish this feet, they had to get creative due to strict curfews in the venue. so they decided to begin the night as their own opener to play a seated 12-song acoustic set to those lucky enough to arrive early. The set is one for the ages. Classic songs meant for the setting such as Long Road and Footsteps thrived and soared throughout the atmosphere, while extreme rarities such as All Those Yesterdays and Drifting are tossed in there to delight the collectors in the audience. While the opening set is the big story here, the band busted out 33 more songs on this night that included old songs, new songs, common and rare songs, songs being reintroduced and songs packaged together in clever fashion. We’ll break down all of it in one of the longest episodes in the modern era of this podcast!

Once again, thanks to everyone who sent in their stories, we’ll share the final batch of them in this episode. Our Gear Guru segments this week will give you an overview of the acoustic set, discuss the strange tuning on Faithfull and break down a one of a kind version of Why Go featuring a riffy guitar intro.

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Episode 240: Mansfield, MA – 7/3/2003

Continuing onward with our big summer series, this episode focuses on the second night of Pearl Jam’s Mansfield Experiment. With the first night under their belt and the crowd coming into the show aware of the premise, the excitement was at an all-time high. While night 1 was a great introduction to the idea, this show’s crowd is up for all of the surprises and answers when called upon for the big call and response moments. While there may be no acoustic set like night 3, the energy at this show was palpable, even though Ed came off a bit grumpy due to a lack of sleep the night prior.

Although there were a few rarities spliced in to the night before, this show featured a few songs that you almost never heard at Pearl Jam shows during that era. The most eye opening one was Low Light. Of course Low Light has become a common staple of Pearl Jam sets in recent history, but coming into this show it had only been played one other time at the 2001 Bridge School show. We’ll spend time breaking down how this turned into a classic song over time, and some of the pieces that aren’t found in recent versions. Other big performances that we’ll dive into are Release, Animal, Insignificance, Love Boat Captain, Rival, Rearviewmirror and amazing crowd responses on both Alive and Baba O’Riley.

Once again, thank you to everyone who sent in their stories. We’ll read another batch of them in the episode. And our Gear Guru segments will focus on the emergence of Low Light, the 2003 rendition of I Am A Patriot and a Jeff Ament driven Rearviewmirror.

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Episode 239: Mansfield, MA – 7/2/2003

Ladies and gentlemen of the Pearl Jam universe, it’s here! Since the beginning of the year, we’ve been teasing this 10-episode recap of the 20th anniversary of the 2003 Riot Act tour, featuring the ultimate finale – all three shows from the Mansfield Experiment! To anyone who has never heard of this before, The Experiment was the band’s opportunity with three nights scheduled just outside Boston to play nearly every song they knew without repeating anything. This led to three monster sets with the unpredictability of a normal Pearl Jam set heightened to a new extreme. We’re gonna focus on the first night’s setlist in this episode and spend time talking about how the idea for the experiment all came to be.

The challenge of playing 97 different songs in the span of three nights might seem exciting to all of us, but for the band, it was a herculean task that came with some uncertainty. While some of the big setlist staples are tossed into this show like Go, Save You, I Am Mine, Even Flow and Porch, they had to balance all of that out with the lesser played material with songs like Get Right, Help Help, Evacuation and for the time, Smile injected into the set. All three shows have different identities, but all of the excitement from the fans who had heard the rumors gives this show an air of something special that would eventually turn into one of the most legendary runs in the history of Pearl Jam.

Thank you to everyone for writing in these past few weeks and sharing your stories. We’ll tell a few of them in this episode and spread the rest throughout the following two. Three Gear Guru segments this week will dig into a chaotic ending on Go, the 2003 alternate rendition of In My Tree and the rarely played Evacuation.

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Episode 237: Bonner Springs, KS – 6/12/2003

When you think about some of the more memorable performances in the history of Pearl Jam, a lot of them have a key factor in common. They develop from spontaneous moments that happen within the song. Fan interactions especially can help turn a performance of a song played over 500 times into an unforgettable moment. One of the other spontaneous facets that happens at Bonner Springs in 2003 is how the weather impacts the show. To open this night, the band gets acquainted with the crowd by playing Release under a sky of a torrential downpour of rain. Quickly after the “oh dear dad…” lyric, there is a bolt of lightning in the background in which the crowd audibly reacts to. As Ed is singing one of his autobiographical masterpieces, he looks up to the sky and says “hi dad”. It’s a moment forever etched into this band’s legacy, and we’ll talk about it in full detail during the rundown of this show.

This show was an easy decision to cover during our continued run of 2003 show, but it was made easier due to the request sent in from our Patron, Chris Bigelow. Check out his story in the episode. After the big moment, we’ll go over how the rest of the set fared and talk about a few Riot Act songs we have yet to cover on this run – Get Right and Help Help. There is a big what-if in this set – a written encore setlist of 16 song choices with two songs that could’ve potentially made their return after almost a decade of not being played. Listen in to find out what those songs were!

We’ll read your answers for question of the week which asked about some of your favorite concert memories in the rain, and our Gear Guru segment will focus on Mike’s pedals from Immortality and how the country twang sound from Off He Goes is created.

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Episode 236: Dallas, TX – 6/9/2003

We’re back to our 20th anniversary celebration of Pearl Jam’s Riot Act tour! Due to upcoming events in September, we have selected to cover the Dallas show from 2003 to give all of you headed there a little bit of history on what’s happened there in the past. This show is mostly known for being the first official time that Alive was used as an opener, and we’ll spend a lot of time discussing this version in contrast to the only other time they’ve opened with it in Newcastle, Australia. Speaking of firsts, there is a tag of an original song that we hear off of Daughter that hasn’t happened since this date!

On the second leg of this tour, Pearl Jam was starting to get a little creative in their setlists. We all know about the Mansfield Experiment and how the trio of shows featured nearly every song in their catalog. There’s also the tour closer in Holmdel which utilized two songs from every album in chronological order. John brings up a theory about this setlist that he thought may have been Ed’s original idea for this set, but was obviously aborted somewhere down the line. Do you agree with his theory? The other big conversation here will be about how Blood was being utilized back on this tour. We’ll discuss whether it makes any sense to play Blood in the middle of the set and how that factor may have done a little harm to this show.

The question of the week this week focuses on the Daughter moment. We’ll read your answers on what you’d think would be great songs to use as tags off of it. And our Gear Guru segments this week will focus on 1/2 Full, Green Disease and Jeremy.

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Episode 230: Pittsburgh, PA – 4/26/2003

After a week of big announcements in the Pearl Jam world, we’re coming back this week with more of the Riot Act Tour! Why not?! We’ll discuss a little bit of the upcoming September tour in the beginning of the episode, but if you want our full fledged analysis, please check out our reaction episode that came out earlier in the week. Pittsburgh is yet again on the docket for us, and the show from 2003 has plenty to talk about. Highlights galore in the main set as we’ll chat about Small Town making what was a rare appearance as an opener at the time, a killer Corduroy, an amazing Immortality, a Wishlist with an extended improv and Even Flow which was on the patented McCready hot streak at the end of the April run.

No lack of discussions for encore 1 as we get the very rare appearance of the scrambled Mamasan with Once appearing in the set prior to Alive. We’ll continue conversation about the development of Alive’s presence in 2003, and we’ll go in-depth on the addition of the harmonica to Footsteps and what would later become a composition change in the song. Oh, and an 11-minute Rearviewmirror to end the encore ain’t a bad thing at all!

Also in this episode, we’ll share our Patron Michael Fleisher’s story about this show due to this being his request, we’ll read you answers for question of the week that asked what some of your favorite shows were that had an abundance of a certain album’s songs played, and our Gear Guru segment delves deeper into the Even Flow hot streak that took 2003 by storm.

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Episode 229: Champaign, IL – 4/23/2003

Continuing on our run of Riot Act shows, this week takes us to the home of the Fighting Illini in Champaign, IL. For this show being on a college campus and therefore not allowing the sale of alcohol, the crowd did an excellent job bringing in the same kind of energy that you’d see from their in-state big city counterpart in Chicago.

There are a handful of interesting things from this one. Do The Evolution is opened with for only the 4th time to this point, The Police cover, Driven To Tears, is played for the first time in 404 shows, and the first with a full band, and Ed will break out a ukulele for The Who song Blue Red Grey that Ed admits he stole for Soon Forget. Those two covers are part of this show’s major theme which is a total of six covers played on this night. We’ll discuss this in full detail and bring to the table how many covers are enough or too much to play in a set.

You guys weighed in on that on social media and answered that exact question, so we’ll read some of the answers that we got in the episode. Randy will talk a little bit about his upcoming Seattle trip for the last week of the MoPop exhibit and Record Store Day at Easy Street, and Javier’s Gear Guru segment will focus on the juxtaposition of tones from Given To Fly and Nothingman played back to back on this night.

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Episode 228: West Palm Beach, FL – 4/11/2003

As is the theme for this year, we’re back to celebrating the 20th anniversary of the Riot Act tour for the next few weeks looking into some of Pearl Jam’s most notable shows from April of 2003. We’re talking about a show from West Palm Beach in this episode, which may not stand out to you on paper, but it features significant moments that define some of the themes for this entire tour year. Three themes are prominent from this era – 1) is of course the political aspect as the country had just gone to war with Iraq and Ed had put President Bush under scrutiny every night. 2) is the aftermath of Roskilde still in ways effecting this band three years later. And 3) is the return of old songs into the setlist that had been missing since the mid-90s. Thanks to our Patron Jared Schaffer for requesting this under the radar show.

To hit all three of these topics specifically, one thing we’ll discuss is a version of I Am A Patriot that was re-constructed strictly for this era and talk about the political nature involved, as well as Ed’s invigorated speech that followed. We’ll get deep into the topic of Love Boat Captain, which is featured as our brand new Evolution Series episode that will be out to Patreon very soon, to talk about how the incident at Roskilde helped them create music through the process of grieving. And on the subject of returning songs, this show’s Glorified G performance was the first in 188 shows since November of 1996. We know that Ed sang a glorified version of I hate this song, but what band member here didn’t seem to take it as seriously as the others on it’s return?

Other big highlights we’ll discuss are Ed singing into a fan’s cellphone during State Of Love And Trust, and an excellent call and response section of Daughter that led to a rare tag of Sleater-Kinney’s Dig Me Out. We’ll also answer this episode’s question of the week which asked you all on social media what your favorite moments from the 2003 tour were, and our Gear Guru segments will discuss Stone’s gear during this tour year and some of the effects that came from his guitar and Ed’s vocals on Daughter.

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Episode 222: Sendai, JP – 2/28/2003

It feels like whenever a band embarks out on a ‘world tour’, you can’t coin that phrase unless you make a pitstop in Japan. While Pearl Jam has never done a true official world tour, they’ve had the opportunity to visit Japan twice. The first time was in 1995, and then they went back for five shows in 2003. This episode focuses on the Sendai show from the Riot Act tour. These shows are always interesting because the crowd is a lot more reserved than your every day average concert crowd. This factor mixed in with a venue that maxed out at 1,000 seats meant that the band could create more of an experimental setlist, moving songs around in parts of the set that stray from normal scenarios.

The best example of this show going through the experimental route happens at the very beginning. It starts with Of The Girl, which seems normal, but the performance in itself sets up for the unconventional trio that follow – Immortality, Insignificance and 1/2 Full. The rest of the show maintains weird spurts of momentum with not many radio hits mixed in the main set. As for the hits go, this isn’t the crowd that’s going to follow the same kind of cues we’re familiar with. We’ll concentrate mostly on Better Man and how strange it was without any participation from the crowd.

We’ll answer our question of the week this week which stems off of the first four songs of the setlist, and our Gear Guru segment features Javier breaking down the juxtaposition between Mike and Stone’s solo on the show closer, Porch.


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Episode 207: Chicago, IL – 6/18/2003

There are many big cities that Pearl Jam has touched down in that have historically held some of their best shows of all-time. Chicago is near the top of that very important list. Being the birthplace of Eddie Vedder, every time they play there there is an emotional, homecoming aspect to the show that brings out the absolute best of the crowd. In 2003, with Ed’s grandmother on hand to watch, they put together one of those big all-timer shows with a bootleg that still circulates on SiriusXM’s Pearl Jam Radio.

Nearly every song from this show was a nearly flawless performance ranging everywhere from your crowd favorites, to brand new Riot Act songs, emotional moments and songs that soar. We’ll talk about powerful performances from songs such as Release, Present Tense and Light Years, and we’ll get to praise this Chicago crowd for their hard work on Better Man and Daughter featuring a notable tag. We’ll also go over some listener answers talking about their favorite Chicago arena shows.

This episode is a Patreon request from Joey Goodsir who joins us to share his story of being a Gen Z Pearl Jam fan who found this bootleg on Apple Music where it molded his fandom to what it is today. He’ll chat about some of his favorite performances and focus on the big moments that he’ll speak fondly of.

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Episode 188: Fargo, ND – 6/15/2003

Is this gonna be a good episode? You’re darned tootin! With many Cohn Brothers movie quotes aside, this is our final episode of our OTOTO states month emanating from Fargo, North Dakota in 2003. This is the first instance in 188 official episodes and 224 shows in total that we’ve covered that we get to talk about Arc. Arc is one of their more fascinating songs due to the weight that it holds being the tribute written for the Roskilde victims. The band would go on to play this nine times, the same number of victims from the tragedy, and none of the official bootlegs include any performance of this. We’ll get into the unique presentation that it had live and how impactful it was, even as a show opener, in it’s short stay that year.

Another big point of conversation from this one is a version of In My Tree being played for the first time in 69 shows. This song having not been played for that long mixed in with an illness from Ed meant it was never going to be as crisp of a version that we would’ve heard in 1996. This became a little bit of an improv where the lyrics and music weren’t exactly linear. Ed has some things on his mind and comes up with some beautiful improved lyrics for the end. We’ll talk about how this set the tone for other versions of In My Tree that year, especially the version that everyone remembers from Madison Square Garden.

All this and good discussion on 1/2 Full, I Am Mine, Better Man, Thumbing My Way, Rearviewmirror, I Am A Patriot and Crazy Mary.

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Episode 167: East Troy, WI – 6/21/2003

One of our favorite Pearl Jam years to discuss on this podcast is the 2003 Riot Act tour. So many memorable moments from tons of shows spread across the map. In this episode we head to Alpine Valley where the band last played back in 2000 to freezing cold temperatures appropriately dubbed The Ice Bowl. They return to East Troy, Wisconsin during Summer Solstice, the longest day of the year. In beautiful weather and a great mood, the band plays an inspired show in front of a top notch audience. Deep cuts were heavily infused from the beginning of the main set with songs such as Sometimes, God’s Dice, Faithfull, Immortality and Insignificance taking place within the new Riot Act songs while heavy hitters such as Better Man, Jeremy, Even Flow, Daughter and Rearviewmirror all hit in that order to end the set. On top of that, take the last two of that group, both songs from Vs., and add the first four played in the encore – Go, Animal, Elderly Woman and Glorified G and you have an extremely rare instance where six songs are being played off the record right in a row. We also have fun moments from this night, some that get a bit political, some that involve a random fan running out onto the stage during Crazy Mary. But as Ed says in the show, tune in to see ‘what American is gonna get a blowjob tonight.’ We’ll also discuss a little bit of the Earthling record as well as a special dedication that happened at the Chicago show

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Episode 159: Clarkston, MI – 6/26/2003

What happens when a venue dedicated to corporate sponsorship doles out tickets to non-Ten Club fans in the first ten rows of the building? The band gets to play an extra night allowing cheap lawn seats to fan club members, that’s what. In an act of defiance in Clarkston (or Detroit, depending on who you are) Pearl Jam took the stage on the second of two nights and decided to experiment instead of busting out some of the standard favorites. This experiment lead to a whopping seven songs off of Vitalogy that were played and four from No Code, with the No Code tracks in particular standing out the most. This was in a time where In My Tree was barely played, so when it was brought back in rare instances, the band would perform an alternate version stretching out the song’s soaring elements. This is a version we don’t get to chat about often, so get ready for us to take a few minutes on it. Rarities would be strategically placed throughout this main set as the pace and energy maintained consistent. Songs like Sleight of Hand, Down and Leatherman that don’t usually get the call were played, with the latter of those beginning the Man Trilogy. A great show, a great bootleg. Thanks to our Patron Clay Davis for requesting this one.

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Episode 153: Mountain View, CA – 6/1/2003

If you were to take a guess as to what venue Pearl Jam has frequented the most over the last 30 years, would you think Shoreline Amphitheatre is the correct answer? If not, then you’re wrong. 17 of the performances in the San Francisco area amphitheater came from the Bridge School benefits, but this episode will happen to cover a show played there in 2003. As of most nights from this era, there are some politically motivated moments seeped into this evening. From a pro-activism speech during Porch to a few references to some of the bay area war protests that happened that February, it’s not difficult to see what’s on the band’s mind. However, it being the second leg of this US run following the Nassau Coliseum incident, things are a lot more composed. As long as people didn’t fuck with The (Dixie) Chicks, Ed was in good spirits. Tune into this episode to check out great versions of Long Road, You Are, Daughter, Thumbing My Way, Present Tense, Love Boat Captain and an out of this world Crazy Mary. Potentially the best of all-time? One host’s opinion may reflect that. Thanks to our Patron Ryan Morden for joining us and selecting this show for us to cover!

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Episode 130: Buffalo, NY – 5/2/2003

We continue covering the tour years offered through the Deep project and Spotify with this absolute gem from the Riot Act tour. Buffalo was the second to last show from the first leg and it took place during a notable run. The night prior on Long Island, they were getting quarters hurled at them for mocking the President and the following night in State College, the tour ender is one of the longest shows of all-time. Only Pearl Jam you guys… Joining us to tell the stories from the night is our Patron Randy Morgan! Coming off that highly controversial show at Nassau Coliseum, there was a sense that the purpose of the Buffalo show would be meant to unite the crowd rather than divide. Examples of that were the most apparent in two spots – the tag of Wishlist and their cover of Patti Smith’s People Have The Power. Without blatantly addressing the infamous Bu$hleaguer moment (aside from a part where he mentioned there had been a lot of booing lately) they put aside whatever political differences they may have had with the crowd to play songs that would make everyone feel like they were a part of something special. Other big moments – just listen to the first 5 songs from this night! Can you ask for anything better to kick off your show? And Randy (guest Randy) will tell the story of how a simple writing accident led to his song request being granted.

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Episode 109: Mexico City, MEX – 7/19/2003

This is the penultimate episode in our Around The World series as we dip into this great Mexico City tour closer from 2003. There are many ingredients in the recipe for a perfect show, but the integral pieces from this set are so unique and unlike any other of its kind. First off, it’s a tour closer. Second, it’s a lucrative night 3 show, those don’t come around too often. Does it have rare songs? You bet! Guest appearances? Hell Yeah! Well, it can’t possibly happen to have all of that AND be on the birthday of a band member, right? Oh, you are in for a treat my friend! The band says goodbye to the far traveled and controversial Riot Act tour by throwing a massive party to celebrate. It happens to be the founding member, Stone Gossard’s date of birth, so what’s a better gift than to bring out a mariachi band to sing Las Mananitas, La Bamba and Guantalamera? You can tell from the energy on the stage how good a mood everyone is in for this show as they play up to a red hot crowd and hangout with friends and tour opener Sleater-Kinney. Big highlights from this night include an opener of Wash, Hunger Strike feat. Corin Tucker, Black, Rearviewmirror with an improv, Mankind for Stone and a phone call to none other than Johnny Ramone before a performance of I Believe In Miracles. It’s a show more than worthy of a high spot on Pearl Jam’s all-time lists!

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Episode 106: Atlanta, GA – 4/19/2003

In this episode we celebrate the city of Atlanta, Georgia that deserves praise for their tremendous voter turnout helping the state go blue for the first time in 28 years! And Atlanta knows about long periods of waiting because in this episode we’ll discuss the last non-festival show in the city that happened 17 years ago! That’s FIVE albums since Atlanta has gotten a proper show! This one is an important one, and we invite long time patron Glenn Bobe to tell his story from that night. After a contentious performance in Nashville the night prior, the political rage was building up during this time period. Anything having to do with patriotism, support of President Bush or the Iraq War set the band off. This show has a moment from the very early onset where an oversized American flag was blocking the view of fans seated on the lawn. This set Ed off during an aggressive performance of Grievance and set the tone for a night where politics needed to be part of the conversation. But that was the era – a tumultuous time that had everyone on edge. However, the band brought their A (or B+) game for a show that doesn’t get talked about all that often during this era. This show had its crowd pleasing moments with a few rare appearances including Glorified G that made a comeback that year, Present Tense that was played for the first time in 65 shows and only the 3rd appearance of Crown of Thorns with the first noted Chloe Dancer tease accompanying it. You’ll also hear stellar performances of 1/2 Full and Black and a moment in Corduroy that is commonplace for today’s versions, but was potentially snuck in for the first time here.

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Episode 103: Nassau Coliseum – 4/30/2003

Warning: This episode contains sensitive topics of a political nature including the landscape of the world after the 9/11 tragedy. The energy in this episode is more angry and fired up than usual, which is saying a lot. If this seems unsettling to you, please avoid this episode. So it’s come to this. You knew we couldn’t have a series featuring Pearl Jam’s most political moments without talking about this polarizing show. Nassau Coliseum will forever go down in infamy due to the perceived controversial actions that Ed displayed on stage, but even moreso due to the horrid fan reactions that followed. Anyone who has seen PJ20 remembers this story: Ed comes out on stage dressed up in his sparkling silver jacket donning facial wear representing then current President George W. Bush. They performed the track called Bu$hleaguer off their touring album Riot Act that so eloquently called out the President’s actions. Ed riled up the crowd by mocking the maligned leader. He put a cigarette in the mask’s mouth and poured a bottle of wine into it. He also displayed affection with the plastic piece of paraphernalia. Whether it was done to incite a riot or not (it was) the crowd retaliated by throwing quarters, garbage, t-shirts or whatever they could find onto the stage that had the band fearing for their lives.

This was only 17 years ago and our average listener is probably in their 40s, so it’s a high probability that you remember the time period, one that this current administration makes look like a favorable memory. While the country struggled to cope after the events from 9/11, the situation was escalated in suburban townships in Nassau and Suffolk County Long Island. Everyone knew someone who was affected. Maybe your neighbor was FDNY, its possible your cousin was a first responder, or even worse, you had a friend or family member in one of those buildings or on a plane. Any way you slice it, the area was in such close proximity to the attack that it was impossible not to feel the lingering effects.

With sadness comes pain and pain can turn into anger. Anger can turn into anything. It didn’t matter to them who it was – Afghanistan, Iraq it didn’t make a difference. They were attacked by people who looked different than them and turned jingoistic acts of racism into justifiable reactions. This was life on Long Island from 2001-2008.

Okay so there was actually a show outside of this mess of a controversy and it turns out, it was pretty damn good! 2003 was the sweet spot. Veteran songs such as Animal, Not For You and Even Flow meshed well with the rookie standouts like Save You, I Am Mine and the now super rare cut of Get Right. It gets lost within the headlines, but had this show gone a different route, people may be calling it the best from this tour.

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Episode 95: Benaroya Hall – 10/22/2003

In this episode we’re covering Benaroya Hall – the 2,500 seat capacity Seattle venue usually known for being an orchestra concert hall was taken over by an insane Pearl Jam crowd there to witness the band perform some of their rarest cuts in rare form. The band usually known for their on-stage energy were confined to a seated position as they busted out, for the most part, an acoustic set of songs that fans hadn’t heard live before. They were treated to live debuts of two original songs – Fatal and Man of the Hour and a rare Johnny Cash cover of 25 Minutes To Go. But alongside the debuting tracks were songs so deep in the band’s back catalog that these fans might’ve needed to be on a different continent in order to have heard them before. Versions of Low Light and Around The Bend were sparse at the time and adding songs such as Parting Ways, All Or None, Dead Man and Masters of War gave the crowd plenty to cross off the checklist. We’ll do it old school style and go song-by-song in full as we talk about the once in a lifetime event and what made it so legendary. We’ll also recap the story shared by Kenny Mayne in our profile episode about how a ticket to this show fell into his lap during a Sonics game.

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Episode 68: Nagoya, JP – 3/6/2003

We travel back around the world to look into one of the shows from the 2003 Japan tour. This being an early show from the Riot Act era, the band was still getting a feel for how the new songs worked on the live stage. Joining us for this episode is patron Eddie Quintana to talk about his passion for the album and the era. Nagoya is a unique show, but one that doesn’t get brought up enough in the pantheon of Pearl Jam performances. It took place in a small college theater holding only a few thousand in attendance, and while Eddie had to use a translator to connect with the crowd, the usual songs with sing-along sections such as Better Man and Daughter lacked their usual punch. It’s interesting to witness this as we break down how the call and response in the hit songs fell by the wayside in some of these Japanese shows. Another thing that made this show different centers around a lengthy, jammy improv in the middle of the set without Eddie’s presence followed up by a completely different take on Immortality. The jammy songs were certainly in the forefront as we’ll discuss a tremendous rendition of You Are that fit the mold of this set. Other Riot Act era songs that we don’t get to discuss often such as Love Boat Captain, Get Right and the LO4L debut of Bu$hleaguer will get major focus as well.

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