This hometown show is the culmination of a turbulent year for the band where after the Roskilde tragedy, they had to find ways to grieve whilst touring from city to city for 47 dates in the matter of 3 months. During this timeframe they held off on playing Alive, one of the most crucial songs in the band’s catalog, due to it not being appropriate following the incident at hand. On this night in Seattle, to the surprise of many Alive makes it’s triumphant return as part of the healing process. In this episode, we’ll talk about how much weight this performance had and how important it was for them to play in order to move on to the next chapter.
One of our promises for 2021 was more Canadian shows for the listeners up north and this episode stays true to that. We continue to dig into the Deep streaming catalog tour years featuring this Montreal show that kicked off the final leg of the 2000 tour.
In this episode, we’ll talk a little bit about how important the retail released bootlegs from the 2000 tour were to the fandom expanding and growing and their live act getting some more recognition. The bootlegs from the European tour were released only a week before this leg began. We’ll discuss whether or not the bootlegs had anything to do with bringing back some of the older, more rare songs from Ten and Vs. that were played in the years following this tour. We’ll also get into a discussion about whether or not the popularity of Last Kiss led for a change up in how the Binaural record was produced and written. As for the show, while dealing with some first night technical difficulties, the band came through with some big performances at this show including a Corduroy with a riveting solo similar to ones you hear on Even Flow. The show really kicks in toward the middle of the set as a nasty Do The Evolution sets the tone for a hard rocking section with MFC, an improv and Habit. Other highlights from this show are Porch, Off He Goes, Of The Girl and Leaving Here.
Bundle up and put on your Bernie mittens because this episode will leave you freezing your ass off! This one covers the infamous Ice Bowl show from Alpine Valley on the 2000 tour. On an October night where temperatures dipped down to 28 degrees, the band took the stage and ripped through a 26 song setlist as if they were inside an arena. Joining us to share his stories is our Patron, Kirk Walton, who was there that night to witness all of it! After you see the band take the stage wearing jackets and blowing on their hands to keep warm, they burst through Of The Girl and Hail Hail before Ed greeted the crowd by welcoming them to the Ice Bowl. The nickname given to an infamous Packers/Cowboys game at Lambeau Field in 1967 where they played in -15 degree temperature conditions. From there on out, the band zipped through the set playing familiar songs in order to keep the crowd warm. From all this information shared, you’d assume the band would’ve struggled throughout this set, but quite the opposite! If you listen to the boot, there are small instances where you can tell what the conditions are (Ed singing “it’s too fucking cold to sing” during Corduroy) but aside from that, if you replaced this with an arena show bootleg you would barely be able to tell the difference. The band jammed through great versions of Insignificance, Dissident, Black, Porch and Smile to help make this memorable night unforgettable.
On October, 22 1990, Pearl Jam played their first show as Mookie Blaylock at Seattle’s Off Ramp venue. To celebrate the monumental occasion, we’re going back two decades to the band’s ten year anniversary that took place in Vegas on the Binaural tour. Joining us for this episode for some crossover love is Branden Palomo from the Better Band Podcast. While the band came out to celebrate the moment, Ed did his best to try to downplay the situation (even after he thanked Stone and Jeff for “recognizing his great talent”) by telling stories of that first night at the Off Ramp and not even being able dream that they could be in the position they were in. The fans brought balloons to shower them with during the encore, but there is one moment that gets discussed from this show that holds precedent above all… This was the first moment that Pearl Jam ever played a song written by Mother Love Bone and they chose Crown of Thorns. While the death of Andy Wood had always been a part of their history, it was something that was never quite addressed publicly. It’s an important moment in their history for so many reasons in which we’ll discuss in full detail in the episode, but this was a major part of their healing process after the Roskilde tragedy. When Ed gave Jeff and Stone a hug, it was the bonding between two entities that were so intertwined, yet had never met until that moment. Mother Love Bone and the life of Andy Wood forever became part of Pearl Jam’s story.
Ciao! This Episode our Around The World series takes us to Verona, Italy where Pearl Jam performs in the historic Roman amphitheater the Verona Arena – a Coliseum that was built way back in 30 AD. We all remember the Immagine en Cornice DVD that documented all of the amazing scenery and culture of Italy, but it was actually back in 2000 where they played this incredible building for the first time. At a time where, unbeknownst to the band, they were about to hit a major career and life changing transition due to the Roskilde tragedy, this is a rare time in the Binaural era where they are feeling pretty upbeat and positive on stage. The Binaural tracks were continuing to hit their stride – Grievance and Insignificance being two that the allowed Ed to tap into something that brought the anger out of him, and Nothing As It Seems being played with Mike’s original pedal brings a special kind of sound that makes the song feel like it’s lifted into the atmosphere. This show had other great moments such as a ‘f it’ moment during Habit where a light was blinding Ed and they’d finish the song with a fury. The band was also doing something uncommon for the time in playing a full 31-song set, but the gap between the stage and the crowd left a little bit of the interaction feeling a bit empty.
This episode we take a look back at one of the most popular and recognizable shows of the Binaural era, the 2000 Pinkpop Festival. It had been 8 years since the memorable 1992 Pinkpop show, so the band knew the stakes were high to please 60,000+ fans in attendance. They channeled some of that raw energy from the height of the grunge era mixed in with the mature sound they developed after 6 albums produced and the outcome, as per usual, was pure grit and passion. In the 90-minute set, they bulldoze through 18 songs mixed with a variety of hits, rarities, new tracks as well as a decent sample size from the five prior albums. We’ll talk about how Corduroy kick starting the show set the tone for the night introducing a set that had absolutely no lulls or dead spots. The Binaural songs were also played to perfection with the vigor and force that stemmed from the era. We get renditions of Rival and Insignificance that fueled political anger and a Light Years digging into the deepest of emotions.
On the heels of the 20th anniversary of the release of the Binaural record, we take our Around The World series to a fun Prague show from the middle of that tour. In the episode, we’ll get to look back on how Binaural was kind of the oddball of Pearl Jam records and why it doesn’t connect as well with the casual fan base. Considering there aren’t many songs from this album that get consistently played live nowadays, it was a nice change going back and reliving some of the tracks when they were brand new. Speaking of Binaural songs from this show, there were only 5 played which could be considered a low total for a promotion tour. This show featured the live debut of Sleight Of Hand, a nasty Mike McCready opening the show on fire with Of The Girl, Grievance, Insignificance and Light Years. Aside from that, the set list was quite balanced with all 6 albums getting more than one song played. The reason to listen to this show was Mike McCready and how untouchable he was this night. He shined best on tracks like Animal, Red Mosquito, Even Flow and Black – all which are featured within this episode.
We’re happy to have on Colin Rodger and Martin Higgins, who have put together this year’s PJ Con – a show featuring tribute band Lost Dogs in Glasgow, Scotland where all of the benefits go toward supporting Diabetes UK. Pearl Jam has only been to Scotland twice, the last time being 19 years ago. Colin and Marty spend this episode reliving their only hometown show and the memories of being in the crowd, feeling the energy of the show and coming back with a little mud on their faces. High points include Sometimes, Present Tense and Given To Fly , but there’s also a glaring omission in this show that Randy takes issue with.
This episode we’ll talk about the St. Louis show that occurred during the time of filming for the Touring Band 2000 DVD and what most people remember from that compilation is a moment that came from this show. Eddie sees a woman named Kimberly Rae Schaefer interpreting sign language on the side of the stage and decides to invite her up to do a song so the entire crowd can see her sign during a performance of Given To Fly. It’s one of the more heartwarming moments in the band’s history that’s remembered fondly to this day. We’ll also tap into Matt Cameron channeling his inner Jack Irons as he was still transitioning a bit style-wise at the time. Versions of Hail, Hail and In My Tree sound as they were originally intended to, but his performance on Parting Ways ends up being what steals the show.
We head back to the 2000 Binaural tour for this episode to cover the first of two nights of a stay at West Palm Beach. This is the first time we cover Oceans on a non-Patreon episode, so you guys finally get to hear why Matt has such a distaste for the song. It’s been and will always be a hot button topic on this show and we’re sure that we’ll get our fair share of hate mail for it. Outside of Oceans, this show is a lot more straightforward and positive than other shows we’ve touched on lately and that’s mainly because it’s just an all out great rock n roll spectacle. Mostly everything is played well, not a lot of argument for set placement or variety. Nothing As It Seems was one of the standouts on this show where you could really feel the energy translate from the stage to the crowd.
The Binaural tour featured a bunch of sneaky, sleeper shows that may get lost in the landscape 19 years after the fact. The Greensboro show may end up being one of those sleeper shows the no one really talks about anymore, but is a solid 2 hour affair front to back. Brother Stephen Maytan returns for the first time since episode 9 to talk to us about his experience at this show, the second he’d ever attended. Lots of great conversations in this episode. Here are a few of the many topics we discuss – The lack of mainstream hype around Binaural, shady Ticketmaster outlets, delicious North Carolina cardboard pizza, what song defines the Binaural era, having to listen to a CD in your car in 2019, what’s on VH1 nowadays, do you envision the color black when listening to the song “Black”? These topics, plus more about the actual show that included Smile as a closer, all wrapped in one episode.