Ladies and gentlemen, we’re back with another installment of the Late Night series! This month we’re looking into the Letterman performance of Wishlist from 1998. This one isn’t necessarily memorable for the performance, but it’s the official passing of the guard for the next era in Pearl Jam to complete the fivesome (minus Boom, Josh, Stuvered, etc) who have been playing together for almost 25 years. It’s Matt Cameron’s first live appearance for Pearl Jam only a year or so after Soundgarden split up. This goes hand in hand with our weekly episode as well emanating out of Rapid City from 1998, which happens to be Matt’s 6th full show with the band. We’ll discuss the transition from Jack, Matt’s overwhelming workload before going out on tour and his unaverred confidence on the first time out. See you next month for the Letterman 2000 performance of Grievance!
Ladies and gentlemen, we’re back with another installment of the Late Night series! This is the first of many episodes in a row where we’ll cover the band playing The Late Show with David Letterman. This is the first one, and it’s interesting because it’s not solely focused on the just the one performance. Obviously everyone knows the friendship that Letterman has built with the band from all of these appearances to the Rock ‘N’ Roll Hall Of fame induction, but it all started because Letterman couldn’t get a specific song out of his head – Black. For weeks and weeks in early 1996, he begged Paul Schaffer every night for the band to play Black. Then he started to beg for Eddie to swing by and sing it. These went on for weeks and weeks until Ed finally showed up and did it. We’ll run through the entire timeline of that story and why it’s never good to watch people talk about you on TV while you’re high. Of course we’ll end up getting into the Hail, Hail performance as well, mostly to discuss Stone the traffic cone, but also a ripper of a performance that may go down as one of the best versions of the song of all-time.
A lot of people enjoy lists. Some don’t and they are the most outspoken about it. Know what I say? Screw ’em, let’s do another list! For the third installment of this series, the focus is squarely on Vitalogy. We of course began with two difficult ones, but Vitalogy was the toughest one to configure up until this point (you’ll have to tune into Yield to top it). So the discussion here is between an incredible starting 6 of any album, and then 3 incredible songs near the backend. And then you have your Mops and Prys and Davanitas that need to be discussed by proxy. Tough conversations to have, it’s very clear that some people will not agree, however, the point isn’t exactly for you to agree. It’s for you to potentially get some insight from a perspective of someone who’s been back n forth down their catalog studying live material from every era and understanding what songs have turned into in current day. No opinion is meant to be the same, but if we all respect that we all have one, then the world will be a better place!
In our fifth installment of the Late Night Series, we’ve approached possibly their most important moment on television and maybe one of the most important ever. SNL 1994 happened at a pivotal time and a turning point in the band’s history. Only a week after the passing of Kurt Cobain, Pearl Jam was thrust into the spotlight and seen as part of the healing process from Kurt’s death. For that, they were given the extremely rare opportunity to play three songs that night. Something that acts like the Rolling Stones and U2 have done before, but not many others. The result? All three performances are mind blowing. Especially Rearviewmirror, which is one of the best overall Pearl Jam live cuts ever. This also came at a time where, unbeknownst to them, Dave Abbruzzese’s time with the band was coming to an end. There’s a lot to discuss in this one including some rehearsal moments that we have access to. All you need to know is that Pearl Jam is fabulouso!
In this episode we’re going back to those eventful few weeks back in 1994 to cover the show AFTER the iconic Fox Theatre Atlanta show. How would the band follow up that momentous performance? We’ll talk about some early versions of Vitalogy classics, and a wild encore that comes out of nowhere! We’ll cover it all with guest co-host Anthony Krysiewicz (Touring Fan Live), and we’re also joined by Patreon donor Matt Behan, who attended this show as a college student and shares a story at the end that you won’t want to miss! All this plus Ohana Encore news and talk of possible new music?!
We’re back into our run of early 90’s episodes as we tackle a great show and memorable bootleg in this episode. St. Petersburg happened on the well documented 1994 tour that the band was on the top of their game for. This is a Patreon requested episode and joining us for this one is Horizon Leg Patron Gabe Spece! Coming off a night in Miami where 24,000 fans attempted to cram into a venue that could only fit 8,000, the local Florida newspapers made attempts to sabotage the band by stating that they incited the “riots” that led to some incidents happening during the show. Unlike what we saw in our Ann Arbor episode that happened just nine days prior, the band didn’t want to let yet another issue (to go along with bomb threats, ticket distribution challenges, backstage break-ins) to hamper their show for a new live crowd that seemingly couldn’t care less what happened to them the night before. The result of that was a very relaxed show with tons of positive energy. Almost a rarity for that tour year. This show has gone down in lore as being one of the better fan recorded bootlegs of that year which helps take in all of the fantastic moments that happened here. Highlights from this one that we’re gonna dig into are opening the set with Rearviewmirror, a fantastic Daughter with both Another Brick In The Wall Pt. 2 tag and W.M.A. which essentially led to a full version played. Great improvs off Black and Alive and a rare 3rd encore closer of Throw Your Arms Around Me. But possibly the most important thing to come out of this episode is a bit of a debate that ramps up during Porch. This Porch has always been known for having a Dirty Frank tag, but we dig a little deeper and question if that’s the case here or not. Check it out, you’ll know what we mean!
We’re taking this episode back to the revered 1994 tour smack dab in the middle of the Vs. and Vitalogy records. It can be argued that 1994 was Pearl Jam’s most important year – it was a year where they stood their ground in the fight against Ticketmaster, a year where they spoke up about important social justice issues such as pro-choice rights, a year where they were about to fire their drummer, and it was the year where they grieved the loss of Kurt Cobain. The Ann Arbor show fell right in the middle of that tumultuous time as the 10th out of 21 shows on tour and as we’ll discuss throughout this episode, you could tell that the drama was weighing on them a bit. Through the duration of this show we’ll talk about how Ed’s mood seemed to reflect one who was struggling to make it through the night. Visceral performances of songs like Daughter and Porch that utilized improvisations that weren’t necessarily out of character for him at the time, but they set a tone for the show expressing how fed up they were with the ticket fiasco. Ed even made mention to it later in the set and apologized for how impossible it was to get tickets that night. Blood was another performance where his frustration seemed to burst whilst on stage. We also get a few very interesting moments that make this show unique. One of those moments featured Jeremy in the opener spot, something that hasn’t happened at a Pearl Jam show since. Three Vitalogy songs were played 9 months before the album would be released – Last Exit, Not For You and Nothingman, with the latter making it’s live debut and the only performance of the song for over two years. There’s also a very raw version of Yellow Ledbetter that was played for only the 5th time.
In this episode, we look back to the Fairfax 1994 show that Pearl Jam took the stage for just hours after hearing the news of Kurt Cobain’s death. On what was an emotional night, especially for Eddie, the band makes the best of a bad situation and puts together a passionate, spirited performance among the grieving fans. We’ll discuss in this episode the band’s reaction to his death and how it would impact their decisions moving forward as they would be looked upon to fill the void that Kurt left behind. The generation that mourned his death naturally drifted towards Eddie for answers, ones that he wasn’t necessarily ready to provide. We’ll also get a visit from a fellow Pearl Jam podcaster. Roche from Jamily Matters will join us to talk a little bit about being at this Fairfax show which was the first one he attended. He’ll capture the atmosphere and uncertainty in the building from the crowd during this incredibly challenging day. Also a big thank you goes out to Jed Garfunkel who requested this episode, we’ll be telling his story on the show as well.
We’ve reached our third installment of our Bridge School Series finishing up the classic two night stay from 1994. This preview for Vitalogy with Jack getting his second tryout with the band features early and eclectic versions of the new tracks.
Not For You is played in a way that it’s never been done before and Immortality is shared for the first time since the famous Orpheum show including brand new lyrics that we are used to today. This 7-song set also features the first stage rendition of Bee Girl in the encore following night 1’s lead of using an unplayed deep cut when they did Let Me Sleep.
And of course you get all of the expected Bridge songs – Black, Elderly Woman and Daughter. Let us know what you think in the comments!
When you think of shows from the modern era that are known for their rare gems and put it up against the set list from this Chicago performance 26 years ago, it would still be considered rare. Today’s episode features some of the earliest performances of the best tracks off of Vitalogy such as Last Exit, Not For You and Spin The Black Circle as well as songs that would be considered impossible to hear in 2020. As Ed battled a cold in front of 2,500 fan club members only days after selling out a 13,000 Chicago Stadium, he declared very early on that they were gonna play a bunch of random shit. The Vitalogy songs were still in their early stages so the fans were treated to a preview of the future, but they were also treated to some of the rarest songs in their catalog from that time. Chaser songs such as Hard To Imagine, Alone and fan club song Angel for the most part are songs that people who have been to multiple shows in the last decade or two probably have yet to witness. Can’t forget the magic number 4 on this show as many of the songs mentioned above were being played for their fourth time, including Yellow Ledbetter. The biggest moment from this show developed from Ed’s shenanigans during Porch as he had a scare after diving off an amplifier. Ed put on a hell of a show making the crowd think he was legitimately injured before finishing off another furious version of the song. Thanks to our Patron Dylan Sumpter for requesting this episode!
We continue our series with the second ever Bridge School performance for the band in 94. Hear us break down the first live version of Daniel Johnston song Walking The Cow, an early version of Corduroy before the album was released, a rare appearance of Let Me Sleep and Jack Irons official tryout with the band. Thanks for subscribing and enjoy!
This episode celebrates the 25th anniversary of the Orpheum Theater show – a classic show that many hold in high regard still to this day. It’s a unique and rare set, especially for the time period, that was created by none other than the band’s crew. Uncommon and lesser known songs such as Hard To Imagine and Dirty Frank were busted out while getting some pre-Vitalogy tracks in there such as Tremor Christ, Better Man and Not For You as well. A moment that sticks out from this show which turns into a bit of a debate is the appearance of Vitalogy staple Immortality. It was only the second time performed live and it was in the days following Kurt Cobain’s death. We’ve always heard that Immortality wasn’t written intentionally about Kurt, but considering the time period and how the music world was grieving his death, the song’s words hold even more weight. Words you say? Of course, this was the version of Immortality that was in the early stages in its lyrical composition that doesn’t have the same chilling lyrics as we’ve grown to know from the album. With all that being said, debate still came up on whether this was an important moment in the band’s history and whether or not it should be considered a legendary performance. There are two different schools of thought discussed, so getcha popcorn ready. Outside of all that, there’s also an incredible version of I’ve Got A Feeling played at this show that lasted for about 15 minutes or so. We won’t play all of it for you, but we’ll give you enough to leave you happy!
The time machine takes us to our first trip to the 90’s where Pearl Jam were smack dab in their prime. This Atlanta show is famous for so many different reasons. First, it was broadcast live for free on radio stations across America where young teens and college kids had multiple tape cassettes handy. Second, parts of this show was featured on the highly popular 3-disc Dissident single at a time where boots were slowly starting to become a normal thing. Last but not least, this is the final show before the official death of Kurt Cobain. Eddie dedicates Go to him and we relive some of the news and rumors that surrounded the story of his demise. Also, lots and lots of love for Vs. here as the band was supporting the album on tour, but with Vitalogy on the horizon we get to hear some special little surprises that gave hints to what the album would eventually offer. Our Patreon donor John Farrar joins the show to discuss listening to it on the radio and swapping out cassettes!