May 6, 2024 – Rogers Arena, Vancouver, BC, CAN

Show Notes:

Night 2 in Vancouver kicks off with another 4-song set of 90’s material, Ed commenting during Nothingman “…good singin’,” and the house lights are up for the ending. Immortality is an early surprise, with an extended jam at the end…

Show Notes: 

Night 2 in Vancouver kicks off with another 4-song set of 90’s material, Ed commenting during Nothingman “…good singin’,” and the house lights are up for the ending. Immortality is an early surprise, with an extended jam at the end and Jeff, Mike, Stone, and Ed all gathered around Matt. The silhouettes are up on the screen for the 4th song again, another Yield one tonight, In Hiding. After a uptempo Scared of Fear, Ed says “…like that one? That’s Mr. Stone Gossard.” Before Wreckage, he talks about all the one-word song titles on Ten, mentioning a few, and says the next one follows that tradition. Following Dark Matter, Ed says Mike “makes it look easy, even when it’s not” and hears someone make a comment about Mike, causing him to utter “fuck you” teasingly, pointing out a crowd member with a “sexy hat and glasses…don’t fuck with my man Mike McCready…” He talks about a 14-year-old girl named Hannah, who has “a bit of a medical thing,” but the doctors were able to move her surgery to next week so she could attend the show. After Wishlist, Ed says they’re “switching the list for a second” and Down is cut and Even Flow is moved up. Mike puts on a clinic again during Even Flow, and continues with a soaring solo on Quick Escape, which still has plenty of post-Gigaton energy. Got to Give makes it debut, with a fiery visual behind it. Ed explains afterwards that the Red Mosquito flub from night 1 was his fault, even though he tried to blame it on Jeff, and adds “accountability feels so good…feel free to boo me as well,” and there’s a smattering of boos, and he encourages more, and by the third time there’s a decent boo from the crowd. An extreme closeup of Jeff’s hands is shown during the end of Jeremy, and Ed points out a young boy named Ryan who’s been rocking out on his dad’s shoulders all night, teasing that the pot smell is coming from his direction. Ed gets on the overhead projector again during the break:

So…last week in Seattle

We hung out with Stanley

THE STANLEY CUP

May it arrive here NEXT

GO COACH TOCCHET

AND the CANUCKS!

1st PJ show ever OCT 91 in Seattle

1st PJ show in Vancouver Jan 11 91!

As he’s writing the Vancouver date, he realizes his mistake and erases the 1 in OCT 91 and changes it to a zero for 1990, then continues:

3 mos old!

1st show Town Pump

1st show w/Neil Young

here in ’92?

our favorite B.C. show

Commodore Ballroom 2000

Here, he goes back and puts an up arrow in between “our” and “favorite” and adds “new” and finishes it off with:

Rogers Arena 2024

Coming out on stage again solo, Ed talks about loss, and mentions that on April 21st, Jerome Rothenburg had passed away, calling him a poet, and that he had been married for 74 years, and that he had known Jerome’s son Matthew when he was young. Keep Me in Your Heart is dedicated to their family. Do the Evolution has more of the original video tonight, none of the extra footage that was in the previous performance. Ed does add in the “admire Stone” line, though. Afterwards, he says that they “played this one at the Town Pump…and then we didn’t play it for a long time,” leading into Alone! Alive follows, the first time those two songs have been played consecutively since 2/28/92 (the first time was, of course, at the Off Ramp in 1990)! Setting Sun closes out the show again, with a very cool eye-based visualizer. 10 of 11 Dark Matter songs played over the two nights, but we’re still waiting for Waiting For Stevie.

 


May 4, 2024 – Rogers Arena, Vancouver, BC, CAN


December 4, 2013 – Rogers Arena, Vancouver, BC, CAN

Show Notes:

Surrounded by water, the Oceans opener is no surprise. Ed has a ukulele for Can’t Keep. A stage light and mood switch occurs with Corduroy. The band teams up with each other to come together for a wild Corduroy outro.…

Show Notes: 

Surrounded by water, the Oceans opener is no surprise. Ed has a ukulele for Can’t Keep. A stage light and mood switch occurs with Corduroy. The band teams up with each other to come together for a wild Corduroy outro. Perfect call and response by the audience on MYM. Ed takes a moment to crack open some wine and offers a quick hello, “we’ll be home soon enough but we’re in Vancouver, we’re not going anywhere. We’ll talk later. Let’s keep going,” keeping the energy up with Gods’ Dice and Lightning Bolt. Stone leads the way into In Hiding and Ed reaches for the wine and gestures to his throat and chest and mouths something about his voice. It looks like Boom is reading the sheet music. Ed tells a joke about meeting someone from Mexico and a couple from Sweden who have come to Vancouver for the “tropical weather.” He reminisces about an early 1991 show at the Town Pump in Vancouver where the audience was the size of the first row and they remember playing this song…cue Even Flow. During the solo, Ed speaks to a tech who fixes something while Ed shares an enormous bottle of wine with the front row. Mike tiptoes out of the solo as do the backing guitars, leaving Matt’s mastery on display. Stone gets pretty bluesy for the Not For You solo and Ed does a yodel call and response with the audience. Lights go out to spotlight Ed on his guitar for After Hours. He asks for the crowd to help with lyrics for Gonna See My Friend, has a mini jam session with Stone at the end and they sneak in a few chords of Porch. Mike is on his knees for the Porch solo, Matt maintains the beat with otherworldly precision during a super extended bridge. Jeff swats at the hanging globes and Ed plays front row bartender and proceeds to climb the lighting, mic in hand.

After the break, he toasts the bartender/guitar tech who brings him the wine and grabs his ukulele to play Soon Forget, last played in 2006! A tech issue follows and he eggs on the audience with some hockey-talk and a shout-out to friend Chris Chelios which the crowd jokingly disapproves of. Each member of the band is highlighted on a beautifully mellow Thumbing My Way. After Mother, Ed says “as a taxpayer, you might contribute to things you don’t necessarily agree with…bombs dropping on children…now we have drones…I’m not getting into it,” and jokes that he will leave the crowd with a tale of a 4.5 hour concert with 3 hours of music and 1.5 hours of politics, leading into an energetic Insignificance. Ed struggles a bit with the lyrics and the chords during Better Man, gets the audience to assist, states “I fucked up, I know,” and continues to take long pauses, playing with the audience. Stone joins Mike and Jeff’s side of the stage and then Ed joins in, creating a little guitar posse. The song continues and Ed asks “Should we stop now?” The “don’t run away” line has a list of tags:

“like my father did…like my brother did…like my sister did…like my uncle did…like all my friends…like my first girlfriend did…”

Ed windmills, rests on Mike before the final guitar push of the outro and we get not one, not two, not three, but four signature jumps.

Ed introduces “Mr. Stone Gossard and Andy Wolf who looks after Stone’s shit and is a total champ tonight,” in reference to the tech issues. Ed thanks Mudhoney for opening for them and again braving a storm to get there. Mike’s Black solo is bluesy, yet wailing towards the speakers and has Ed crying out at the very end. Alive becomes interactive with Mike going right down into the front section and Ed catching gifts being thrown at them and climbing speakers and pointing to people. The lights go on and Mudhoney’s Mark Arm and Steve Turner join in for Kick Out The Jams. Ed teases the audience “they sometimes say leave them wanting more…well fuck that shit,” and acknowledges how they’re “fortunate to have these gatherings based on music” and jokes about a young fan with headphones on who is “probably listening to Katy Perry.” Ed wishes the crowd a “Happy Christmas and Happy New Year….until next time.”