September 22, 2022, Ball Arena, Denver, CO, USA

Show Notes:

After waiting from all the way back in March of 2020 to kick off this tour run, we have finally reached the end. Long Road is a fitting opener to reflect that. Thin Air is appropriately played in the high…

Show Notes: 

After waiting from all the way back in March of 2020 to kick off this tour run, we have finally reached the end. Long Road is a fitting opener to reflect that. Thin Air is appropriately played in the high altitude, the third time it’s been played in the state of Colorado. Ed says he has two bottles of wine and one bottle of oxygen, and gives a shout out to a couple who got engaged at a Pearl Jam show years ago, saying there is a lot of power in that, before breaking out Just Breathe for the first time in 2022. Ed applauds Colorado for being in the top 10 in sensible gun laws in the country, then addresses a girl in a very sparkly shirt. He asks to borrow her shirt in the encore because they could ‘use a little Harry Styles.’ At the end of Throw Your Hatred Down, he throws her a tambourine. After Given To Fly, Ed commends a big guy up in front for letting a woman get in front of him on rail so she can watch the show. Who Ever Said needs to be stopped due to an issue in front, the crowd is asked to take two steps back and the fan walks away to safety. Ed makes a prediction that Mike McCready is gonna go off on Even Flow, and uses a Chris Cornell quote about him saying “he’s infected!” Mike fulfills the prediction and pulls out the usual tricks, like playing behind the head. Ed mentions that the author of Into The Wild and Under the Banner of Heaven, Jon Krakauer, is in attendance. Ed heads to the pump organ, says we’re thinking about everyone in Ukraine and asks the crowd to light up their phones for River Cross. There is a “FCK PTN” shirt on his organ. After Better Man, Ed makes note that the big guy has been given his spot back on rail, calling it reverse chivalry, then says they’re gonna be chivalrous by turning around and playing to the back, which happens to be Last Kiss. Ed shouts out the people in front and commends them for their dedication, saying they will miss them after the tour ends, leading into Faithfull.

Ed comes out for the encore by himself with a guitar, and says there is only an encore break just for keeping up appearances. He mentions that it would be nice to play at Red Rocks again, and talks about playing in Colorado with Tom Petty and The Heartbreakers back in 2006. He adds that he spoke with a father who lost his child in Sandy Hook who would later take his own life, and that his wife testified against Alex Jones in the defamation trial, and says he hopes they make an example of him. I Won’t Back Down is played in honor of her, her husband Jeremy and Petty. Chloe Dancer and Crown Of Thorns continue to tug at the heartstrings. The substitute teacher line is dropped from Crown Of Thorns. Ed mentions a show in Miami on the Lollapalooza tour in 1992 where a fan was hoisted up in a wheelchair crowd surfing to Rockin’ In The Free World, and says he’s in attendance. Ed invites Molly and Whitney from Thunderpussy on stage for Baba O’Riley. Tambourines are flying all over the stage as it turns into one big party up there. Ed thanks everyone for a great night and a great tour as Yellow Ledbetter ends a magnificent 2022 run. Ed introduces the band members before taking a big bow, saying:

“those are the people who love you.”


September 20, 2022, Paycom Center, Oklahoma City, OK, USA

Show Notes:

31 years after its release, Garden finally opens a Pearl Jam show. Hard to Imagine continues its 2022 resurgence here, as the stools give way. Given to Fly lyric is changed to “…made it past the ocean, made it to…

Show Notes: 

31 years after its release, Garden finally opens a Pearl Jam show. Hard to Imagine continues its 2022 resurgence here, as the stools give way. Given to Fly lyric is changed to “…made it past the ocean, made it to OKC…” Ed sees a flag in the crowd and holds it up, showing the Taylor Hawkins hawk logo and talks about him. Then, he sees a fan with a mask of himself and takes it, saying he didn’t want to look at “that guy” (himself) all night. Before Even Flow, he mentions the Thunder, saying that they’re no longer mad about the Sonics, they have a great women’s team in Seattle and they’re glad the Sonics went to a good home. Following Dance, Ed points out someone in the very back of the arena who was dancing, adding

“I can see you got moves…my first concert ever, I was in Chicago, I had that exact seat, I was the last guy against the back wall, and yea, this could be you [points down at the stage] in just a couple of years, with those moves…”

Habit returns the set for the first time in 2022, with a chaotic, spiraling outro. Just like in St. Louis, they go to the back during the main set for Small Town. After the break, Ed mentions Nathan Young, who is related to Tomas Young, is in attendance and points him out, saying “he’s grown up a lot since the last time I saw him…I love you man, it’s good to see you…” and dedicates Go to Nathan and Tomas Young. There’s a break after the drum intro to Go and when the song kicks in, Ed has to run up to the microphone to start the song. Afterwards, he says they’re going to play one that they played “maybe the first time we ever played here…we’re dusting it off for you today,” and they kick into Alone! Ed mumbles through the middle part, but does the complete sung outro, which leads right into Evolution. Mike leads the jam on Porch with a fantastic solo. After Indifference, the band is taking off their instruments and acting like the show is over, but Ed comes over to everyone and gives the “one more” signal, saying “thanks for filling this room with energy tonight, we’re just returning it back, thank you OKC” and stops Stone from starting Rockin’ to tell a story:

“Before we ended the night…I’ve been thinking about it all week, you guys made the news in the most fabulous way, there was a tractor trailer that turned over and spilled sex toys all across the highway…this is true…and I started thinking about it, why is there a whole truck of vibrators? Why are they strung all over the highway, why are there so many? And I started thinking about it…and I support the theory that you’ve taken away a woman’s right to choose, they don’t want to take chances so they’re taking things in their own hands and who can blame ‘em…we know that women are the best people to make decisions about their own lives…”

He goes on to implore the crowd to vote before allowing Stone to kick into RITFW again.


September 18, 2022, Enterprise Center, St. Louis, MO, USA

Show Notes:

Bathed in blue light, the third show in three nights (the first time that’s been done since 2006) starts off with a soaring Of the Girl. Footsteps gets a huge crowd reaction, and afterwards Ed, holding a ukulele, says “we’re…

Show Notes: 

Bathed in blue light, the third show in three nights (the first time that’s been done since 2006) starts off with a soaring Of the Girl. Footsteps gets a huge crowd reaction, and afterwards Ed, holding a ukulele, says “we’re gonna play a few more in first gear, then we’re gonna ramp it up,” adding

“I wanted to honor the history of music here in St. Louis, sometimes overshadowed by what came out of Chicago, but there’s a reason you’ve got a music note on your hockey jersey,” 

pointing up to the retired jerseys in the rafters. He continues, talking about how the ukulele is a “gateway instrument” for musicians who are just starting out, pointing out some kids up front. He goes on to say that it’s his wedding anniversary while idly strumming the ukulele, which isn’t making any sound, saying all of PJ is lucky to be married to “badass women.” He mentions that his ukulele isn’t cheap, it was made in Hawaii out of rare wood “which you can’t even take out of the country,” and finally acknowledges the lack of sound coming through, to which he exclaims “goddamnit” and SMASHES the little ukulele on the front monitor, reducing it to splinters. Was it a setup? Maybe. Another (plugged in) ukulele is brought out for Sleeping By Myself quickly. Retrograde is the kick-the-stools-over song tonight, and Matt absolutely destroys the outro, creating a thunderous cacophony that ramps up the energy, the entire band is surging. Mike seemingly becomes possessed during the Life Wasted solo, feeding off the energy in the building and falls over on the monitor, finishing the searing solo practically prone and extending the guitar head out to the fans on the rail afterwards. Dissident becomes a huge singalong, and Who Ever Said gets yet another runout, 8 shows in a row now. Corduroy is fantastic, taking all the energy in the building and giving it an outlet. Small Town is played to the back, possibly the first time that’s ever been done in a main set. Sad is dedicated to Debbie, Ed says “we’re thinking about you.” A raucous Go ends the set, and Ed drops the mic afterwards with a loud thud. After State, Ed gives Josh a shoutout and says that he pointed out backstage that today was the 30th anniversary of Singles (the movie premiere, not the soundtrack) and they go right into Breath. The Black solo is powerful and emotional, Mike at his best. After the closing bow, Ed pats his heart a few times before leaving the stage.


September 17, 2022, Bourbon & Beyond Festival, Kentucky Expo Center, Louisville, KY, USA

Show Notes:

In front of a reported 50,000 fans, Daughter opens for the third time on this leg, with the Wet Leg tag again. Ed holds the last note of Low Light for 16 seconds (I counted)! Before a lovely Off He…

Show Notes: 

In front of a reported 50,000 fans, Daughter opens for the third time on this leg, with the Wet Leg tag again. Ed holds the last note of Low Light for 16 seconds (I counted)! Before a lovely Off He Goes, Ed says

 “…oh fuck, there’s a lot of people out there…we’re thinking about friends tonight, I guess this would be what it’s like to be a friend of ours.”

Stone has an outstanding show, led by his Evolution solo. As Seven O’Clock is reaching the end, Ed stops the song for an audience member who needs assistance. As they’re being attended to, he adds:

“…let me break a little tension by mentioning this sign that someone keeps holding up, it’s very confusing to me, it says ‘I heart spicy pie,’  what the fuck does that mean? [sign is shown on the screens] Should I know what that means? Would my daughters know what that means? I don’t think I want my daughters to know what that means…what is it? Oh, it’s pizza. So what’s my dirty mind going to? Fuckin’ pizza…”

The crowd member is rescued and Ed thanks the local crew, adding “I’m gonna buy you a spicy pie,” and Seven O’Clock is restarted. Another energetic Who Ever Said, its 7th appearance in a row. Garden features a soulful, bluesy Mike solo. As Matt kicks into the drum intro to Not For You, Ed comments

“this song was back in the Vitalogy days…and there’s a lyric that I always wanted to sing here in Louisville…’Like Muhammad, it’s the truth,’”

Muhammad Ali having been born in Louisville, and Ed punches the lyric with a fist pump in the air. Not For You is incredible here, with two killer Stone solos and Ed emphasizing the guitar rhythm in the bridge with powerful strumming. After Alive, Ed says “we’ve got five minutes, this is a five minute version of a ten minute song…” and Josh comes out front for Purple Rain. As Mike is soloing, Ed rushes to the mic and says “…we got 30 seconds, sing with me,” leading the crowd in one last singalong before cutting the song off just in time.


September 16, 2022, Bridgestone Arena, Nashville, TN, USA

Show Notes:

Nothingman opens for only the second time ever (Telluride 2016). The arena sounds great and Ed comments on it early, saying “I think it might have been made for music.” The stools are kicked to the side during Present Tense.…

Show Notes: 

Nothingman opens for only the second time ever (Telluride 2016). The arena sounds great and Ed comments on it early, saying “I think it might have been made for music.” The stools are kicked to the side during Present Tense. Who Ever Said is high-energy, they’re really loving this one right now, it has a little sped-up flourish at the end. Ed says that yesterday was the anniversary of the passing of Johnny Ramone and tells a story about seeing his daughter and Johnny asleep in the same room and thinking about the circle of life, leading into what Ed calls Johnny’s favorite Pearl Jam song, Corduroy. Rats is a request from…Jeff Ament! Prior to Wishlist, Ed jokes about Mike having to break into the Gibson factory and replacing one of his guitars with one of their originals, and that he’ll need Grumpy’s Bail Bonds (a sign they had seen coming into town) to get him out, and then says that Pete Townshend once played the Les Paul he’s using. The improv part of the tag has lyrics of

“If you’re lucky, if you’re lucky…your wishes, they’ll come true, 
if you’re lucky, if you’re lucky…if you’re lucky you’ll marry your best friend, 
if you’re lucky it’ll last to the end, if you’re lucky you’ll marry your best friend, if you’re lucky…”

Being in a town with the most musicians, Ed says they must be in the town with the most crew members and techs and acknowledges them, adding “no musician here or anywhere in the world would be anything without them.” River Cross is played for Ukraine in the hopes that they’re turning the war around. After the break, Last Kiss is played to the back and then they kick into Go. Ed sees a sign for someone who’s at their 185th (!!) show requesting Smile, and then jokes that maybe the sign said 18.5. Ed points out former Chicago Cubs pitcher Ray Burris, who’s in attendance. Vitalogy is the most-played album of the night, with 6!


September 14, 2022, Freedom Mortgage Pavilion, Camden, NJ, USA

Show Notes:

Two Ten-era songs open for the second show in a row. Ed asks “Where are we? Well, I know we’re not at the Spectrum ‘cause we blew that place up…” Given to Fly is dedicated to Dr. J. Not as…

Show Notes: 

Two Ten-era songs open for the second show in a row. Ed asks

“Where are we? Well, I know we’re not at the Spectrum ‘cause we blew that place up…”

Given to Fly is dedicated to Dr. J. Not as much Gigaton tonight, with Quick Escape and Retrograde amping up the energy and the volume. Before Untitled, Ed comments that it’s nice to see so many faces, turning to Stone and adding “it’s nice to see yours, too,” (Stone had been masked for the few previous shows). Not For You has a slightly different-sounding intro, almost like Seven O’Clock. As the Modern Girl tag is beginning, Ed talks about how they’ve met so many nice people in Camden over the last 24 hours, and how over the last 6 months they’ve seen

“Incredible, crazy heat, we’ve seen floods, we’ve seen cold, we’ve seen wildfires, and then we get here and it’s like Goldilocks…perfect fucking day…we appreciate it more now.”

Ed talks about a dream he had about a volcano leading into Eruption. Prior to Porch, he mentions how voting rights are so important and gives the information number. After the break, Ed brings up Richie and his son Dermot on stage, the winners of the ALLIN contest, and says “I hope you like this one, ‘cause it was their choice,” and Breath follows State of Love and Trust for only the 4th time. Someone has a sign that says “PJ Show #108 – Play Leash” and they oblige. Boom takes a long solo on Crazy Mary before Mike finally joins in at the very end. Ed breaks out the Evel Knievel jacket for RITFW. Before exiting, he says “we’ll see you sooner than six years next time…goodnight, goodbye.” A show full of early material, with 13 of the 27 songs originating from the Ten and Vs. eras.


September 11, 2022, Madison Square Garden, New York, NY, USA

Show Notes:

Release and Garden get the crowd going early, loud and energetic. Come Back is started and then stopped by Ed to talk about how they appreciate being there, and the first responders in the city. The seats are tossed aside…

Show Notes: 

Release and Garden get the crowd going early, loud and energetic. Come Back is started and then stopped by Ed to talk about how they appreciate being there, and the first responders in the city. The seats are tossed aside during Present Tense, kicking the show into high gear a little earlier than the few previous. Porch is always a surprise this early which shocked and excited the crowd. It sounded tight and intense. Ed sees a fan altercation going on in the crowd and takes a minute to address it and remove the offenders, and kicks back into the song. The first Gigaton song of the night is Who Ever Said, which surges with momentum, Ed sounding great. Following that, he talks about women’s basketball legend Sue Bird, who had just retired, and mentions that Venus and Serena Williams are in attendance. The Daughter tag is by the British indie rock duo Wet Leg. Ed and Mike lean on each other during Better Man. Ed does a couple of lines from Tiny Dancer before Chloe Dancer, changing the line to “…hold me closer Chloe dancer…” This is the first Chloe/Crown pairing since the May 1, 2016 Garden show. Afterwards, Ed says “…that one was for Andy, this one is for Stiv,” and they tear into Sonic Reducer. He again shouts out the first responders who are in attendance and says that as “traumatic” and “despicable” as 9/11 was, 9/12 was awesome because everyone came together and worked together. After the break, Small Town is played to the back. The crowd absolutely kills Why Go and Do the Evolution, leading Ed (donning the shiny black jacket we saw earlier in the year) to reference the stage-shaking 2003 show. He thanks the first responders one last time “for showing us what courage looks like.” Chad Smith is watching side stage and comes out during RITFW to pound on Josh’s drums. Mike closes out the night with the Star-Spangled Banner, ending a momentous weekend in New York City.


September 10, 2022, Apollo Theater, New York, NY, USA

Show Notes:

The seated portion of the show continues to be showcase for rarities, as Footsteps opens a show for the first time since the 1996 Bridge School. Ed checks in with Matt and Stone afterwards, adding that he’s feeling  “shaky…I’m feeling,…

Show Notes: 

The seated portion of the show continues to be showcase for rarities, as Footsteps opens a show for the first time since the 1996 Bridge School. Ed checks in with Matt and Stone afterwards, adding that he’s feeling 

“shaky…I’m feeling, just, energy already. Could be the energy of the people in this crowd, could be the energy of New York City…”

He goes on to mention that the show is being broadcast on SiriusXM (as part of the Small Stages series) and what an honor it is to play in this historic venue. Sleight of Hand appears for the first time since the Binaural album show in Toronto 2016, and Parachutes since the show prior to that! Before Parachutes, Ed says that he has a “secret” but he has to wait 2 songs to tell it. He adds that he has news that brought “tears of joy,” and says Glen Hansard and his wife had a baby today, After Hard To Imagine, the secret is revealed, the show has to be stopped because a computer needs to be rebooted, and the PA system goes out temporarily. Mike teases Little Wing, and then the crowd joins together to sing Daughter. Ed comes out with an acoustic guitar and plays Keep Me In Your Heart solo unplugged. They return with Who Ever Said, after which Ed says 

“Alright, is it back? Are we up out there?” 

Who Ever Said kicks off a run of seven Gigaton tracks in the next nine, only broken up by a stellar Even Flow, featuring Mike soloing on his knees at the front of the stage, and Spin the Black Circle, which is dedicated to Howard Stern, Gary, and Robin Quivers, who Ed says he got to meet for the first time tonight, adding “I love the sound of your voice, bringing us joy when we need it.” He tells a story about a girl coming up to him in an airport back in the early 90’s and saying “I hate to bother you…,” to which he replied “…then don’t.” He continues the story, adding

“…so, she looked at me and then the pools of water starting going up these little Bambi eyes, and she turned and walked away…about five minutes passed, and I went to all the gates, we had 10 minutes before we board, I went to all the gates and she was gone, I couldn’t find her. So, if you’re out there somewhere, I never got your name, I was just a rude individual at the time, I was under some stress…no excuses, but all apologies. If you’re out there somewhere 30 years later, I know you’ve forgot it, but I haven’t and I just want to say I’m sorry and maybe I’ll get to meet you and say hi to you another day in the future.”

Someone in the crowd jokes that that was their mom, to which Ed replies “fuck you,” laughing. Whipping falls apart a few seconds in but it’s restarted from the beginning without further incident. Mike shows off his technicality and shreds the Porch solo. Ed talks about Bessie Smith, a blues singer from the 1920’s who was in an accident and the doctors wouldn’t treat her because of the color of her skin. The heat inside the venue was unbearable for some, due to no air conditioning.


May 16, 2022 – Save Mart Center, Fresno, CA, USA

Show Notes:

Despite it being the first night with no Ed preset, this third Matt Cameron-less show is promised to be a special one by Josh Klinghoffer multiple times before the band hits the stage. After Small Town with Josh on drums…

Show Notes: 

Despite it being the first night with no Ed preset, this third Matt Cameron-less show is promised to be a special one by Josh Klinghoffer multiple times before the band hits the stage. After Small Town with Josh on drums (continuing the streak of unique openers this tour) and Given To Fly, Ed reveals that he is battling a stomach flu and hasn’t felt this bad since Neil Young replaced him in San Francisco back in 1995, but promises to power through. He says that “this one’s certainly different” and that while Cameron is making strides to get back, “we’ve got another surprise for you later…” Prior to Corduroy, Ed points out a woman who’s at her 100th show, and that Rob Bleetstein (from Pearl Jam Radio) is at his 300th show, adding “I’ve only been to a few more than that,” and plays a short improv about having friends in Fresno. He repeats “it’s okay” in the Daughter tag, but without the change in key that indicates the Dead Moon cover. Stone gets the microphone, who prefaces Don’t Gimme No Lip with “…we played this backstage so hopefully it’s alright.” Afterwards, Ed talks about the Rock and Roll Hall of Fame induction, adding

“The part that was most rewarding was seeing some old bandmates, we had our friend come out from Seattle, we only played a couple of songs, but when this all went down with Matt the other day, we started thinking about all the other people that…we’ve been through some great drummers [laughs], some of the best, and we have the best currently, but, you know that first record seems to be a record that affected so many people, and our friend that was playing drums at that time, the amount of shows that he got to play with us was fairly limited. Well, it looks like this week we’re going to get to make up for that…ladies and gentlemen, on the drum kit, Mr. Dave Krusen!”

This kicks off a mini-set of Ten tracks, including a nice moment after Even Flow when Ed gets up on the drum riser and gives Dave a fist bump. Mike’s solo on Black is majestic. Afterwards, Ed asks Mike if he has any drummer transition music, which cues Eruption and Richard Stuverud’s entrance. Ed introduces Throw Your Hatred Down by shouting out Jack Irons and commenting on the mass shooting in Buffalo and the Roe v. Wade Supreme Court leak, saying

“Pro-life people should be anti-gun, and then they could save more lives”

Ed asks Josh to come out and sing the next song, leading to the live debut of Purple Rain. Ed starts the first verse and then Josh takes over. It also features a Mike solo that lives up to all expectations. Following, Ed remarks “…that song makes you wanna…fuck” and that Prince’s estate might have to be responsible for paying child support if his songs draw people to have sex and women are forced to give birth. He proposes a “sex embargo,” adding “think about it, ladies…sex embargo.” Krusen returns for Porch to end the main set and stays on after the break. Ed says that he’s spent a lot of time in Fresno over the last 5 years and that it’s his “new favorite place on Earth.” Following Jeremy, Ed comments on Krusen’s playing, saying that he’s “tripping balls tonight” and hearing him play the songs the way he does takes him back to being in the basement in 1991, adding

“Drummers are like fingerprints or snowflakes. They’re all different, all of us are different.”

He goes on to tell the backstory behind Deep, a sunny day that got a little dark when he noticed a guy shooting up in a third floor window and didn’t know whether he’d nod off out of it or into the apartment. With Krusen’s fast count in, the intro of the song is quite the flashback in itself. Mike adds a little tease of War Pigs at the end of the Alive solo. Stuverud returns to the kit for Baba O’Riley, Jeff goes up on the drum riser and they have a moment together. As Ed shouts out all of the band members before Yellow Ledbetter closes, Mike adds a simple “how about Ed tonight?” A well-deserved recognition towards Ed’s perseverance towards making this historic night possible. Ed finishes off the night saying “I won’t forget this one.”


May 13, 2022 – Oakland Arena, Oakland, CA, USA

Show Notes:

Night 2 without Matt Cameron opens with Klinghoffer on drums and a deliberate Long Road, Ed gives a quick dedication “to Gretchen.” Following Once, Ed calls Matt a “legend” and we learn that he’s still in Arizona after his positive…

Show Notes: 

Night 2 without Matt Cameron opens with Klinghoffer on drums and a deliberate Long Road, Ed gives a quick dedication “to Gretchen.” Following Once, Ed calls Matt a “legend” and we learn that he’s still in Arizona after his positive COVID test, Ed says that this show is dedicated to him. No new intro for Corduroy here, it’s Interstellar Overdrive instead. All the uncertainty of the previous night seems to be gone, they look confident and charged up. Richard Stuverud again joins on the kit for Throw Your Hatred Down, with a very cool breakdown at the end, even throwing in a little Ziggy Stardust. Before Quick Escape, Ed says “this one’s about life on Mars too…,” and it also has an extended solo section. Dissident is introduced as an old one, “one we haven’t played in a while, so let’s see if we get it right.” Stuverud begins the W.M.A. intro and to everyone’s surprise it’s full W.M.A., the first time since Greenville 2016! There’s an extended drum outro as well, pounding drums, a standout performance. Ed is visibly angry, pacing around in a circle, he kicks over an amp and hurls his wine bottle across the stage. A 17-year-old drummer named Kai Neukermans is introduced and joins for Mind Your Manners before Josh returns to the kit for Brain of J. After Even Flow, Ed is still worked up, saying

“I’m still mad that we were divided at the beginning [of the pandemic], not united…fuck you…fuck you…FUCK YOU….FUCK YOU!”

Seven O’Clock is only the second Gigaton song of the night and third post-2000 song, this is a heavy 90’s set, perhaps reflecting Ed’s frame of mind. Rearviewmirror FINALLY makes an appearance on the tour, Ed talks about Steve Gleason beforehand. Smile is played to the back. Boom gets a shoutout leading into Crazy Mary, which has a killer back and forth Mike and Boom duel. Ed is pacing around the stage again during Porch. Stuverud is absolutely rocking out on Baba, standing up at the kit and pounding away. Ed closes the show with “…love to Matt, we love you…goodnight, goodbye, until next time. Shaka.”


May 12, 2022 – Oakland Arena, Oakland, CA, USA

Show Notes:

The band opens with Rockin’ in the Free World, it’s rumored that Neil is in attendance, although he does not come out on stage. RITFW has never been used as an opener before! The house lights are up, Klinghoffer is…

Show Notes: 

The band opens with Rockin’ in the Free World, it’s rumored that Neil is in attendance, although he does not come out on stage. RITFW has never been used as an opener before! The house lights are up, Klinghoffer is on drums, and after Small Town, Ed addresses the crowd, revealing that Matt Cameron tested positive for COVID the day before:

“Even his superhero status couldn’t prevent him from testing positive.” 

He adds that they are lucky to have Josh, the Shohei Ohtani of the band, filling in for him. During Corduroy, Ed references Cameron, saying “…everyfuckinthing’s changed!” Josh heads back over behind Mike’s amp, and Ed introduces RNDM drummer and longtime friend Richard Stuverud, saying they called him yesterday,

“He was in the middle of teaching a music class, we said, ‘Hey, do you want to come play with Pearl Jam tomorrow?’ He said ‘I’ll call you back, I gotta go change my pants.’

After Superblood Wolfmoon, Ed tells a story about Jeff and Richard doing some writing and demoing in between Vs. and Vitalogy at Reciprocal Recording, they invited Ed down and he drove down in a ‘64 Plymouth, they played Nothingman and he got a cassette of it afterwards, saying he drove home listening to it, screaming along at the top of his lungs, and asks for the crowd’s help to scream along tonight. Stuverud takes a short drum solo during Even Flow and Mike is extra flashy during the outro. Ed points out a sign that reads “Last time I saw Pearl Jam, I wasn’t born yet,” then mentions a recent story about a woman giving birth on the side stage at a Metallica show during Enter Sandman, joking that they almost ended up naming their child James Ulrich or Sandman. Klinghoffer is back on the kit for GTF. After Evolution, Ed makes mention to the Bridge School benefit, and says

“…NEXT time we play the Bridge School…I hear rumors…good ones…” 

He gives a shout out to the families and teachers and artists who all put in their time playing the Bridge School, and mentions Amber Jean Young, who just had her first art exhibit and is raising money for ovarian cancer. She named her gallery after Pegi Young. Ed calls Daughter a “dark” song, and Neil’s “Long May You Run” is tagged for the first time. He makes a reference to a show back in 1973 where Keith Moon passed out twice at a Who show, and they asked if anyone could play. Ed asks anyone in the crowd if they can play drums and a fan is spotlighted, everyone around him pointing at him. Ed sees him, and says they are going to test him and bring him back in the encore. He continues, saying the Oakland A’s were the coolest team in the 70’s, and names just about every member of their World Series roster. Stuverud joins the band again during Seven O’Clock. Jeremy has a little bit of a funky guitar riff before the bass comes in, and Stuverud plays it a little slower than usual.

In the encore, Ed asks for another bottle and passes it into the crowd, mentioning that they can’t share the bottle together, “we’re not going to make this a wine tasting superspreader event,” but solo cups are broken out and everyone can enjoy a drink. Ed gives a nod to the audience, calling them the best crowd yet on the tour. Klinghoffer is back on drums for Better Man, and Ed messes around in the tag, speaking somewhat unintelligibly, but compliments the entire band. Tons of Townshend windmills from Ed. He references the Metallica story again and says:

“If you’re having a baby now, you’d have to name it… Lukin!”

Stuverud returns for Animal, making its tour debut. There’s a massive ending build at the end of Baba that gets wild, and Ed holds out a lengthy note at the end. He says his goodbyes afterward, making a point to thank Josh and Richard, and then says “we have one more drummer tonight…,” inviting out the fan from earlier, Josh Arroyo, to play Yellow Ledbetter. He’s wearing the “Krusen&Chamberlain&Abbruzzese&Irons&Cameron” shirt, and Ed jokes that he’ll have to add his own name to it. The lucky fan lives out a dream, doing an excellent job on the drums. Ed even looks back, visibly impressed, and Arroyo gets to take a bow with the band at the end.


May 9, 2022 – Gila River Arena, Phoenix, AZ, USA

Show Notes:

Ed comes out for the pre-set and Far Behind makes its debut at a Pearl Jam show. Wash is dark and eerie to open, the 4th different opener in 4 shows so far. Corduroy has the new intro jam again…

Show Notes: 

Ed comes out for the pre-set and Far Behind makes its debut at a Pearl Jam show. Wash is dark and eerie to open, the 4th different opener in 4 shows so far. Corduroy has the new intro jam again and an incendiary Mike solo, it’s been one of the standouts of this run so far, it feels rejuvenated. Ed does a spoken space shuttle countdown-style spiel during Quick Escape. Ed says that they’re in the land of coyotes, mentioning NHL Coyotes players Christian Fisher and Clayton Keller, before Superblood Wolfmoon, saying wolves are close to coyotes. Ed goes on a passionate rant about freedom before Alright, making its tour debut. Prior to Even Flow, Ed mentions the highway signs around the area that had been changed to “Even Flow on the gas, keep left to pass”. Mike and Ed take turns getting the sides of the arena to out-cheer each other, Ed adding, 

We’ve never done this kind of cheesy bullshit before

Josh is rocking out behind the amps during Dance of the Clairvoyants, adding some drum accents and background vocals. Astronaut Scott Kelly is in attendance, and Black is dedicated to him, Ed does a little improv based off of We Belong Together. He stresses the “FUCK” during I Got Shit. He says they’ve got mosquitos here, but they’re in the land of scorpions, adding “…don’t get too excited, Mike” (referring to Mike’s fandom of the 80’s hair metal band Scorpions), leading into Red Mosquito. Before Sleeping By Myself, Ed talks about testing positive for COVID, isolating and thinking to himself “…why did I ever smoke cigarettes, what the fuck is wrong with me…,” saying that Sleeping By Myself was running through his head the whole time he was quarantined. 

The number for voting information is put on the screens in the venue as Ed talks about supporting freedom to choose. Mike has some skronky guitar tones during the W.M.A. tag, and Ed changes the lyric to “..police stopped my daughter again…” Matt ends the song with a powerful drum rhythmic outro. Ed talks a lot about his niece Molly, who’s in attendance, choosing to come to the show instead of her graduation from Arizona State, and she gets a spotlight and a nice roar from the crowd. Ed changes up the setlist, saying they were going to play a sad one but he doesn’t want to anymore, and they play Smile instead. Mike goes back behind his amps to play with Josh for a while during Jeff’s solo. The Eruption solo seems a little longer than previous versions. Ed mentions Taylor Hawkins before Better Man, saying he’s seeing a lot of Foo Fighters shirts in the crowd, adding that he had only gotten to know him a little over the last year but Matt was close with him. The intro to Leaving Here is a train wreck, but they get it squared away, Jeff takes all the solos. After Alive, it feels like the show might be over, but they put the instruments back on and close with Yellow Ledbetter. In Hiding, Come Back, and River Cross were on the original setlist but not played.


May 7, 2022 – The Kia Forum, Los Angeles, CA, USA

Show Notes:

Walking out for the pre-set, Ed gives a shout out to the fans on the rail for having a “long day” and asking them if they camped out at the venue, saying they’ve been through a lot. He hands out…

Show Notes: 

Walking out for the pre-set, Ed gives a shout out to the fans on the rail for having a “long day” and asking them if they camped out at the venue, saying they’ve been through a lot. He hands out blank slips of paper, and says write down whatever you want to hear, as long as it’s on the “master list” we’ll give it a shot. On the list are Brother, Severed Hand, Blood, Untitled/MFC, Tremor Christ, Breakerfall, Unthought Known, Angel, Glorified G, You Are, Strangest Tribe, Fatal, and Marker in the Sand.

Lots of Yield early, after Evolution, Ed says “live from The Forum it’s Saturday night!” Ed holds on that last line in Low Light for what feels like an eternity. Afterwards, Ed points to Stone’s side and says he’s getting an “edible” vibe from them. He adds that the next song, Quick Escape, is about interplanetary travel, but it’s not “Life On Mars,” making a David Bowie reference, and that we may have to live there one day because we’re destroying our own planet. He mentions certain billionaires, saying that for every dollar they get for space travel, they should match it for putting it back into saving the beauty and environment of Mother Earth. Quick Escape’s solo continues to be one of the most powerful moments of the Gigaton tour so far, with Mike holding his head back and firing away. Take the Long Way has a little extra guitar fire from Mike to kick it off. Before Even Flow, Ed continues the story of the homeless man named Eddie he talked about during the Home Shows in 2018:

“He had a shopping cart with a globe inside, he’d spin the globe and look at all the places he’d never get to. We came back from a tour once and he was gone. No one knew and it sort of went right through the cracks. People don’t understand any of the lyrics, but Eddie I was talking about you.”

Ed hypes up the crowd before getting into the chorus by shouting “Sing it for Eddie! Sing it for Eddie!” Mike’s Immortality solo is electrifying, he’s losing his mind, so much so that it looks like he’s having a conniption on stage! Big powerful ending, with the band huddling around a dominant Matt Cameron. Ed mentions that some folks here tonight are some of the most important people in our lives, the Red Hot Chili Peppers, and meeting Stone and Jeff through Jack Irons after he was a Chili Pepper. He shouts out Chad Smith who’s on the side stage, and says they’re thinking about Taylor Hawkins, adding that he was someone that truly loved living on this planet, the one thing we can be consoled by is that he never wasted a moment. Ed introduces Mark Guiliana to play drums as Matt Cameron grabs a guitar and steps to the microphone to sing Taylor’s Foo Fighters song Cold Day In The Sun! Chad Smith is seen playing tambourine. An amazing tribute, with Matt’s vocals sounding pristine. Big hugs all around at the end for this emotional performance. After Daughter, Ed asks for the list of songs that the fans created before the show started, “after going through all of the hassle and having the cops think there were all these homeless people outside, you’re giving me a list! Alright we got a plan, and this is a very intelligent choice.” Unthought Known is the first choice, after which Ed mentions how Sean Penn is out helping people in the Ukraine. Before the next request, he talks about Dave Chappelle getting tackled on stage, the person who tackled him had a knife hidden in a fake gun, leading to Glorified G. Great crowd response from the front that makes Ed turn the mic around to give them the moment to sing back. Ed runs out of gas by the end of Lukin, but the band gets right back on the horse with an I Believe In Miracles cover. Garden is very heavy, lots of weight behind it.

After the break, Ed channels his inner Taylor Hawkins with some call and response moments, and then says you should sing in the shower with me. He asks for someone to fetch him his sparkly jacket from his dressing room, saying “that lady has a sparkly jacket and I’m not about to be outdone by that bitch!” The jacket is acquired and then he talks about equal pay and diversity in Hollywood, and goes on a long rant defending Bill Murray. The Save It For Later tag has almost the full song lyrics. Small Town is played for the back, with a lyric change, “…lifetimes are catching up with ALL OF US!” Midway through, he asks for the band to speed it up a bit. The house lights come up for Jeremy. Ed dedicates Leash to COVID-19 saying “fuck you COVID-19! Leash is an excellent surprise, no “lucky face” phrasing. Mike ripping another song apart. Ed dribbles a basketball around the stage during Alive then tosses it to the crowd. Indifference closes out the night.


May 6, 2022 – The Kia Forum, Los Angeles, CA, USA

Show Notes:

A relaxed Of The Girl opens, setting the tone for a fun Friday night in LA. After Superblood Wolfmoon, Ed says: “I was gonna tell a story but I wanna just keep playing. I’m not gonna tell any jokes tonight…

Show Notes: 

A relaxed Of The Girl opens, setting the tone for a fun Friday night in LA. After Superblood Wolfmoon, Ed says:

“I was gonna tell a story but I wanna just keep playing. I’m not gonna tell any jokes tonight so don’t anybody even THINK about walking up here and hitting me!”

After Corduroy, he tells a story about driving up from San Diego to the Forum for Pink Floyd’s The Wall show. His buddy forgot the tickets at home, forcing Ed to sit in the parking lot for the whole show. Quick Escape is wild, it continues to be the standout live Gigaton song. Faithfull is played for the first time since 2016. During Not For You’s breakdown, Ed comments on the Roe situation and says:

“I think if you’re a girl or woman out there, and the guy you’re going out with … and you’re thinking about maybe going all the way with… I think that if that guy is not pro-choice, then he shouldn’t be allowed to fuck you!”

Dave Krusen is in attendance, Ed says we love you and you’re always a part of this group. Mike channels his inner Eddie Van Halen on Even Flow’s solo, thrashing around like a madman and putting on an absolute display. Ed mentions Howard Zinn, followed of course by Down, Mike with a very poppy, refreshing solo. Something happens in the crowd during Present Tense that Ed pauses mid-song to address, while Mike keeps the riff going. Present Tense has a powerful ending, with the band completely synced up. Who Ever Said has the Satisfaction tag again, sounding more like Devo than the Rolling Stones. Ed warms up with some Pete Townshend windmills before strumming into Porch. Another excellent McCready moment, shredding during the solo down near the pit and running laps alongside them. After the break, during State of Love and Trust, Ed runs off the stage, forcing the band to keep playing, leading to an extensive solo. He comes back on the stage with a new shirt. The band flips around to play one to the back, it’s Wishlist, we haven’t seen this one in this spot before, it’s always been Last Kiss or Small Town or Smile. Black is an out of this world performance with a long, powerful solo, Mike wailing soulfully at the end, with Ed improv lyrics about good and bad. He tells a story about a guy named Dave and his brother who, after an Earthlings show, found out that he had a tumor in his brain. After surgery, he had a difficult time getting his motor skills back, but was able to muster up the words:

“We’re not missing that fucking Pearl Jam show”

Dave is shown in the crowd, and gets an amazing ovation. Mike goes down to play the Alive solo towards the floor as Ed tosses tambourines into the crowd. After Alive, the band takes off their instruments and waves goodbye to the crowd, it seems like the end, but they quickly regroup for Yellow Ledbetter to end the evening.


May 3, 2022 – Viejas Arena, San Diego, CA, USA

Show Notes:

This was the first of the rescheduled 2020 shows and the first North American arena show since May of 2016. After Never Destination, Ed greets the crowd and says “Well, thank you for your patience,” followed by a standing ovation…

Show Notes: 

This was the first of the rescheduled 2020 shows and the first North American arena show since May of 2016. After Never Destination, Ed greets the crowd and says “Well, thank you for your patience,” followed by a standing ovation from the crowd. Corduroy has an interesting riffy lead-in that had never been played before. After Dance of the Clairvoyants, Ed talks about paying tribute to the history connected with the band in San Diego:

Because of our location…we’re choosing songs that have something to do with the ocean…even if they don’t mention it in the words…well half of ‘em were written in the ocean anyway.

During Amongst The Waves, Ed points out to a crowd member and asks for people to help them out. Who Ever Said is especially tight, synth sounds amazing from Klinghoffer. Who Ever Said has a Rolling Stones “Satisfaction” tag, the first instance in Pearl Jam history. Ed pays tribute to Taylor Hawkins before Quick Escape:

You put all of these lights together and they still wouldn’t match up to the light that poured from within that guy. He emitted something very special. I’m so mad for your loss. But it just gives us another chance to say how much we appreciated you as well. 

There’s a request from a guy named Mike whose brother Stan died in a 2016 accident, Ed says he can relate – his brothers and mom and uncle and nephews are here tonight:

We lost a brother…four of us boys…and a sister in Texas…we lost him pretty quick, and it fucked us up…but we got through it together. Last time we played here, he was working up in the rigging. That was the penultimate time I saw him, last time was my 50th. There’s a plaque here up in the rafters with his name on it” 

This leads to a rare main set version of Long Road. Lights up on cell phones in the crowd. Ed says near the end “I’ll save you a seat”. GTF has the lyric “…came to San Diego, smoked a joint in a tree…,” after which Ed talks about teachers, joking that Stevie Ray Vaughan was Mike’s guitar teacher. Ed’s guitar teacher is in attendance, he can’t see him face to face because of COVID protocol, so he guides the spotlight to him. He jokes “I’m not gonna talk this much at the other shows…this feels like home so…” The Daughter tag is In My Tree (!), followed by a call and response. Ed talks about Jeff and Stone playing together for 39 years, says they should do a podcast together about it, and jokes that they never thought they’d live to 39. He tells a story about bullying leading into Jeremy, saying the song was somewhat based on things he witnessed in junior high school in the area. Porch closes the set, with Ed reflecting light into the crowd on his guitar pickguard.

After the break, Ed says he’s sorry he couldn’t visit all the people he knows here, and says Jeff is the smart one because he has a house in San Diego now. He mentions some local record stores, and continues, talking about his high school:

The proximity of my high school to the ocean pretty much guaranteed you weren’t gonna graduate. (jokingly mocking) Now kids, don’t leave school or you’ll turn into drug dealers and addicts…or…or…Republicans!

Prior to Lightning Bolt, Ed tells a story about having trouble writing the chorus to the song:

I had my headphones on and my notebook, and I was so close I had written the whole fucking song. But I couldn’t come up with the line of the chorus. It was like… she’s a what? I just couldn’t figure out what the fuck she was and I wasn’t going to give up. Then my phone buzzed and it must’ve been from Hawaii, and I looked at it but couldn’t answer it because I was singing. I looked over and it was a call from Gerry Lopez (surfer). And I was like that’s it! She’s a Lightning Bolt!

Nice jam at the end of Lightning Bolt with the lighting effects resembling shooting stars. After the song, Ed spotlights his mom in the crowd, mentioning she went to SDSU undergrad in 1989, and graduated with her Masters in 1992. Elderly Woman is played for the back of the audience. River Cross is played with the full band, intensely powerful with Ed emoting while playing on pump organ. Midway through, a Ukrainian flag goes up on the big screen. The reverse Mamasan Trilogy, Footsteps, Once, and Alive, closes out the night, the first time it’s been done in this order since 2011! Karen Vedder is shown fist pumping to Alive. Ed closes out the show thanking Jack Irons and then Stone and Jeff, adding “catch some good waves, keep this place beautiful…we love you.”

Big thank you to Aaron Redmond, Brooke Krause and Amy Cook Lancaster for providing  updates throughout the night!


October 2, 2021 – Ohana Encore Festival, Dana Point, CA, USA

Show Notes:

Pearl Jam gets right down to business on the final night of Ohana with a series of 7 straight rockers, starting with Superblood Wolfmoon through Quick Escape (the gem of the live Gigaton songs so far, so much energy and…

Show Notes: 

Pearl Jam gets right down to business on the final night of Ohana with a series of 7 straight rockers, starting with Superblood Wolfmoon through Quick Escape (the gem of the live Gigaton songs so far, so much energy and power). Before Lukin, Ed talks about the recent laws being passed in Texas, and how women’s rights are being affected. Wishlist has the Rolling Stones’ Waiting on a Friend tag again, and in a very touching moment, Given to Fly is dedicated to Mikey, a 15 year old with EB who is in attendance. Seven O’Clock is another Gigaton highlight (as Ed mentioned during night 1, it’s “a song with a lot of words,” and this night he nails it). Crowd is UP for Not For You. For the second night in a row, Mike crushes the Even Flow solo, including playing a few measures with his teeth again. Take The Long Way returns, a tight, compact performance, and it’s followed by a beautiful Unthought Known (made even more beautiful by the surroundings). No Daughter tag, just an inspired call and response. Brandi Carlile joins the band for the second time on this tour, for the cover of her song Again Today. After the break, Boom is quietly playing Wasted Reprise in the background, and Ed speaks about how special the festival was this year, mentioning several local folks who helped make it all happen, including the Mayor of Dana Point, who played a role in helping evacuate Afghan refugees during the recent turmoil. Life Wasted and a high-energy version of Alive follow. The band ends the show with a version of Rockin’ in the Free World that has perhaps the most bizarre group of special guests ever assembled on stage with the band: Andrew Watt, Sleater-Kinney, Kelly Slater, Randy Johnson, Chad Smith, John McEnroe, Mikey (the aforementioned 15 year old), Taylor Hawkins, Patti Smith, Brandi Carlile and Tim Robbins. The jam climaxes with Taylor and Matt both pounding the living daylights out of the kit, and Chad Smith eventually joins in on the fun.


October 1, 2021 – Ohana Encore Festival, Dana Point, CA, USA

Show Notes:

Low Light opener is a little unexpected, after Gigaton-heavy opens both shows prior. Matt drives a gentle rhythm. Ed mentions how getting back out playing has taken a little getting used to the last couple of shows, but seeing everyone…

Show Notes: 

Low Light opener is a little unexpected, after Gigaton-heavy opens both shows prior. Matt drives a gentle rhythm. Ed mentions how getting back out playing has taken a little getting used to the last couple of shows, but seeing everyone has made them feel comfortable. Dance of the Clairvoyants is the first Gigaton track of the night and continues to groove, with Stone playing fluid bass, Mike’s guitar riff sounding electrifying, and Josh adding color on synths and backing vocals. The band sounds crisp and in sync on Never Destination, with Ed delivering a passionate vocal. After a strong Do the Evolution which featured two succinct, funk-flared solos from Stone, Ed talks about being concerned for everyone’s well-being and safety, remarking how great it’s been to see everyone again, and how well everyone has been treating one another and how reassuring it’s been to them. He introduces the next song as being written by Stone, saying both he and Mike just had anniversaries, and it’s a rare occasion that all the spouses are in attendance, and Buckle Up is debuted. Even Flow is paced well by Jeff and Matt, leading into a blistering Mike solo, which has him playing with his pick in his mouth. Seven O’Clock is next, as the Gigaton songs are more sprinkled throughout the set tonight. Nothingman is a crowd pleaser, with everyone singing at the top of their lungs during the “into the sun” chorus. SOLAT follows with Stone, Jeff, and Mike delivering a classic performance.  Mike stretches out the solo when Ed misses his entry point to the final verse. Who Ever Said is the second debut of the evening, and sounds crisp and well-rehearsed. Ed is animated throughout, and reaches a fervent peak in the second verse. The deep cut of the night is next, with Ed saying “every once in a while, with a little push, Jeff can be persuaded to sing this one,” leading to Sweet Lew. Jeff is decked out in a Kareem Abdul-Jabbar Western Conference All-Star basketball jersey. Ed and Josh alternate between providing backing vocals on the chorus and dribbling basketballs. Better Man is tagged with People Have the Power again. The main set is punctuated by an absolutely ferocious Rearviewmirror, Mike throws himself to his knees at his pedal board for the bulk of his solo as Jeff, Matt, and Stone gather at the drum riser to set a groove-filled pocket for him, just a thunderous show stopper. The encore begins with Ed mentioning that we were picking out a few songs, and we think you’ll really like them, but first we ask for your indulgence on a little prayer. Ed waltzes over to the pump organ as the rest of the band takes a seat, and River Cross is finally debuted, played by the full band. Garden is a surprise setlist addition and sounds wonderful, tight and full, Mike colors his solos in spectacular fashion. Alive is next, met with a mix of excitement and confusion as it was still early in the evening. As the last verse is delivered, Ed says “…it feels different singing these words than it did before…” Mike starts Yellow Ledbetter before Ed waves him off, Josh joins at the front of the stage with his guitar, and the band launches into All Along the Watchtower. Yellow Ledbetter closes the night with Mike providing a thoughtful, less bombastic solo.


September 26, 2021 – Ohana Festival, Dana Point, CA, USA

Show Notes:

Pearl Jam’s second show back is the proverbial exclamation point on the weekend’s festivities, closing Ohana on a Sunday night. It feels like the band is eager to perform their new songs and this night drove that point home firmly,…

Show Notes: 

Pearl Jam’s second show back is the proverbial exclamation point on the weekend’s festivities, closing Ohana on a Sunday night. It feels like the band is eager to perform their new songs and this night drove that point home firmly, as five of the first six songs of the evening hailed from Gigaton, including the opener, the live debut of Retrograde, a gentle yet soaring build into the oceanside evening air.  Dance of the Clairvoyants follows, transitioning well from the atmospheric outro of Retrograde. Quick Escape is already becoming an explosive crowd pleaser, it feels drenched with years of setlist veteran status, giving fans everything they wanted from Mike, Stone and Jeff. The guitar and bass onslaught in the culminating jam is harmonic disharmony. Ed quickly addresses the crowd, saying “if it feels good out there, it feels great up here…we’ve been looking forward to this for a long, long time,” leading to Seven O’Clock. Like Retrograde, it bends towards the soaring energy through its peak and climax. Alright, introduced by Ed as a beautiful song written by his friend and bassist Jeff Ament, is the second debut of the evening. It’s gorgeous in the open air, and showcases the atmospheric elements Josh Klinghoffer will provide for the new songs. Daughter with Stone notably on his duo-tone harkens back to the Binaural era sound wise. Red Mosquito makes its third consecutive Pearl Jam set with Danny Clinch on harmonica. Superblood Wolfmoon KICKS live, expect it to be a mainstay during the Gigaton shows. Josh plays Ed’s guitar parts on this, freeing up Ed to emote and dance around during the entire song. Before I Got Shit, Ed shows off a guitar he got from Joan Jett, and turns it over to show her signature. Matt Cameron absolutely crushes Immortality with a blistering percussion display. The main set culminates with Ed referencing a statement he overheard Brandi Carlile make, that this day was blessed with “Power Bitches” on stage. Ed, being a man, shows a “signed” authorization from Brandi giving her permission for him to say this. Brandi joins the band on stage, sharing vocals on a powerful Better Man. After the break, Ed takes a drink from his bottle, saying you “can’t do that ‘drink a bottle and pass it around’ thing anymore, unless it’s Purell,” hinting at Crazy Mary, before mentioning his participation in the Global Citizen vaccine awareness concert back in the spring, saying:

I stayed near the ocean up north near Santa Monica, and I got outside, and when you went through Venice it got really intense, and since then I heard that all those people were relocated, and I could never find out the details on where and how they were relocated, but I just keep thinking about them and I really hope they’re okay and healthy and able to get whatever assistance they needed to get back on their feet, so I’m gonna drink to their resilience, and dedicate this one to them…

California has been dealing with extreme homelessness issues in several city areas, and it resulted in people being removed. Let Me Sleep is played for only the 8th time ever. Ed remarks about a nice note and picture he was given from a girl named Nicole, with a request for Black, and dedicates it to her and her mom and dad. Mike’s solo is poignant and emotive, gaining the rapt attention of Earthling producer Andrew Watt, who’s watching from the side of the stage. Just as the band was hitting its stride on Crazy Mary, the song is stopped so that a fan can get some medical attention just in front of Mike’s stage side. The band picks up right where they left off, and Boom gets to lay out the entire solo on the B3. Alive closes out the evening, and features both an array of band hiccups and one of the more explosive endings to a Pearl Jam show ever. Someone (or perhaps everyone) is slightly off time in the buildup of the intro before the first verse. The ship is seemingly righted, and then Ed jumps up a full verse, and the band gathers around Matt’s drum kit. Hashing it out, Ed realizes he messed up and can be audibly heard saying into his microphone, “…oh I fucked it up! I owe each of you guys $100.” He addresses his blunder hysterically to the front of the house, with a sarcastic, self-effacing acknowledgement: “Who, me? Never….” As the band fires into the distinctive outro jam, McCready points to Andrew Watt, walks towards him, lifts his guitar over his shoulders, and places it around Watt’s neck. Watt then, with the joy of a million fans given the opportunity of a lifetime, absolutely slays the solo as the band extends the jam out feverishly, ultimately handing the guitar back to Mike for the final few moments.


September 18, 2021 – Sea.Hear.Now Festival, Asbury Park, NJ, USA

Show Notes:

After 1,110 days, Pearl Jam returns. 20 minutes before show time, the band’s tour bus and trailer drive down the beach, making its way to the stage. Right from the start, they debut 3 songs off Gigaton, starting with Dance…

Show Notes: 

After 1,110 days, Pearl Jam returns. 20 minutes before show time, the band’s tour bus and trailer drive down the beach, making its way to the stage. Right from the start, they debut 3 songs off Gigaton, starting with Dance Of The Clairvoyants, with Stone on bass and Jeff on guitar and keyboards, and Ed using a loop track at the end to sing around. Quick Escape and Seven O’Clock debut next, both immediate standouts, it’s evident that the band LOVE the new songs. Stone and Mike both have fantastic solos on Quick Escape, Ed puts on a guitar halfway through. Ed changes the line in Seven O’Clock, saying “…we had sitting bullshit as our fucking president.” Afterwards, he tells the first of many heartfelt stories of the night:

Good evening, Asbury Park…we got the moon lighting up the ocean…someone said I thought maybe we were nervous as the day got closer because six months ago it seemed like we would be in the clear, and then as the day got closer, it wasn’t…nothing was, or is guaranteed. I was getting a little bit nervous and thinking about everybody’s safety, and what we’ve been through as a band, you know, safety first, like every band up here, we care about you so fucking much…but then another reason to be nervous is we haven’t played as a group for three fucking years…we’re so glad you made it, we’re happy we could make it, we’re all gonna make it together

Corduroy has a very emphatic and timely “absolutely everything’s changed” lyric swap. Ed, again:

A year and a half ago, we were ready to play, and we were excited to play, and we had new songs to play, we were gonna start touring quite a bit, that was one of the inside jokes of naming the record, we called it Gigaton, it’s a unit of measurement, but you can also say gig-a-ton, we thought we were gonna be on the road quite a bit, and then the extraordinary and unthinkable happened…with all we’ve been through, it’s Sea Hear Now, all of us, but be here…now, in the present tense

Josh Klinghoffer is also introduced as part of the touring band, leading into a faithful Present Tense, highlighted by the crowd and Jeff, who hasn’t lost a step during the ending jam. Following the debut of Never Destination, Ed jokes about helping his daughter with Calculus by calling a tutor, but adds:

But my problem lately has been with English, and that’s because I’ve had such a difficult time thinking about how to communicate…the question that we have, why aren’t we able to come together more closely when we’re faced with such huge challenges, like climate change, and the pandemic, as a country and as a planet…this is what we need to be united, not divided…I think we all feel sometimes, and I wish we could reach out to our neighbor, and I wish we could understand our differences, and I wish we could come together and fight, you know, as if aliens were coming down from the universe, like an alien virus comes in and infects us all, and English was failing me, so I went to simple math, I’m gonna try out my equation on you, so multiply love, add hope, subtract fear, and end division

Even Flow feels rejuvenated, with a new groove and feel. Ed makes a mistake on the first verse and calls himself out on it. Mike’s solo builds at a very steady pace, getting more electric towards the end, dropping to his knees, slashing at the strings. Before Wishlist, Ed talks about the last three years, saying “stay in touch with the people you love,” and mentions the recent losses of Charlie Watts and Norm MacDonald. Wishlist is halted due to a crowd issue, Ed checks in to make sure everyone is okay before restarting, but it feels fresh and new, and is tagged with the Rolling Stones’ Waiting On A Friend, with lyrics changed to “wishing on a friend.” Superblood Wolfmoon gets its live debut next, Ed shouting and emoting throughout, the band taking it to another level than on record, and Ed gets the crowd clapping a la Do the Evolution at the end. Festival organizer and photographer Danny Clinch is invited out to play harmonica on Red Mosquito, bookending the 3-year absence nicely (he had played at the last Fenway show in 2018). Stone powers an intense, extended W.M.A. tag. The final Gigaton track to debut is Take the Long Way, punctuated by Mike’s heroics. Small Town is uplifting and cathartic. Stone thumps his chest as Given to Fly soars. Prior to Better Man, Ed relates the story of Bruce Springsteen’s 2020 DUI arrest in New Jersey, questioning the wisdom of the officers involved. Patti Smith’s People Have The Power is tagged on it, making its first appearance at a PJ show since 2010. Ed teases a couple of rafter climbs during Porch, only going up one step though. After the break, Ed introduces “some of Asbury’s finest local singers,” Jason, Alexander, Josh, and Michelle, and with piano accompaniment, they combine for a lovely version of Springsteen’s “My City Of Ruins,” which Ed had done solo but never before at a PJ show. Ed dedicates the second verse to Anita, a unique and special performance. Jeff and Stone jam together during the Alive solo, which also includes some of Voodoo Child at the very end. Lenny Kaye (from Patti Smith’s band) joins for a closing, celebratory Rockin’ in the Free World, the band having a blast and clearly glad to be back. Mike, masked up, takes the final solo down by the front row playing in front of a fan in a wheelchair. Light Years, Retrograde, Do the Evolution, River Cross, All Along The Watchtower, Unthought Known, and Down were all on the setlist but scratched for time.


September 4, 2018 – Fenway Park, Boston, MA, USA

Show Notes:

A little ballpark symmetry as Given to Fly opens, just like at Wrigley 2. The Joe Strummer and the Mescaleros cover “Arms Aloft” is the first of two covers in the main set, with the lyric changed to “Arms Aloft/in…

Show Notes: 

A little ballpark symmetry as Given to Fly opens, just like at Wrigley 2. The Joe Strummer and the Mescaleros cover “Arms Aloft” is the first of two covers in the main set, with the lyric changed to “Arms Aloft/in Fenway Park” instead of Aberdeen. The first of many guest appearances on the night sees famed photographer Danny Clinch join to play harmonica on a fantastic Red Mosquito. Leatherman is scratched from the original setlist in favor of another Yield b-side, U. Following Even Flow, Ed applauds Mike for playing so well while medicated, due to a sinus infection. He then introduces the next one by saying they are going to play it “a little differently” this time. Then, for the first time since the Orpheum in 1994, Ed sings the original lyrics to Immortality:

I could take the sun
Pour a cup to share with everyone
Need to feel some comfort in this world
I won’t take it all
I won’t say that nothing’s not my fault
Cannot feel the future in the wind

I could paint the moon
With the light reflected in my room
All I need’s a mirror for the glare
I could paint the Earth, how
With the love I feel for you and her
Needn’t I to alter in the air

After Immortality, Bill Janovitz from Buffalo Tom is back out for the 2nd night in a row. Bill says it’s “wicked awesome” to be there a second time, and he and Ed trade off lyrics on main set cover #2, Buffalo Tom’s Taillights Fade. During the bridge of Not For You, Ed starts a “Let’s Go Red Sox” chant. Introducing Can’t Deny Me, Ed claims the original title of the song was “Voting Is Your Superpower,” and Mark Guiliana (drummer on Matt Cameron’s solo record Cavedweller) is invited on stage to play cowbell. Ed claims the title of the song was originally “Voting Is Your Superpower.” Jeff adds the bass line from Sweet Emotion at the end of Jeremy, as a nod to Aerosmith bassist Tom Hamilton, who is in attendance. The Betterman tag finds Ed pondering whether he could find a better crowd: “Maybe Philly, that’s a pretty good crowd. New York City, that’s a pretty good crowd. Some nights it just feels like you can’t find a better crowd than Boston, Massachusetts…is tonight one of those nights? Whaddya got?” Coming back out for the encore, Ed says “the next time we play together we’re gonna be in the studio, [this is] the last time we’re gonna be playing in front of people for a while,” and that tonight “we’re gonna play until David Ortiz and Kevin Youkilis [former Red Sox players] come and pull us off the stage.” This prompts Youkilis to take the stage carrying a guitar, holding it in his signature batting stance. Thumbing My Way is a request for a person Matt met, as well as a friend of Ed’s. Ed asks the crowd to hold their phones up to light the stadium for Imagine. Loud “Boooom” chants after Crazy Mary, as Ed mentions Team Hawaii won the Little League World Series and that Boom’s wife is involved with the league on the island. Over the Wasted Reprise bed, Ed says he’ll miss the Monster but hopes to be back in October (the Red Sox would end up winning the World Series). Life Wasted is dedicated to John Martin from the Red Sox video crew, who was stricken with ALS. The ever-elusive Dirty Frank is teased for about 30 seconds before a debut cover, Dirty Water by the Standells.