We’re back with this month’s edition of our Set List draft series. Last time we drafted, it was prior to the release of Gigaton so we only had Dance, Superblood and River Cross to choose from. Now we have a full album arsenal of songs to use and we’ve changed up the game a little bit. The rules are as follows – Gigaton songs are available to be drafted by anyone and you must have a minimum of 7 songs from the album in your set and a max of 9. Alive is still a communal song, but we no longer have Black or the wildcard pick available to all of our contestants. There is still a minimum of one song per album that must be drafted, but you can only pick a max of 4 songs from any non-Gigaton album. Here are the four competitors this week: Our returning champion Chris Everett is back to defend his title. since John lost in March, Randy has returned to compete. And competing for the first time are livefootsteps.org founder Dave JanTausch and long-time patron Bradley Piasecki.
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The newest installment in our Evolution Series features popular No Code track In My Tree. We’ll break down the song’s early stages with Jack Irons’ presence on drums and how the song transitioned when Matt Cameron took over. In 2003, after almost being forgotten, the song would go through a major change live, beginning in Fargo, North Dakota of all places, leading to an unforgettable performance at the Live At The Garden show. We break down some of the best versions of the song and talk about the influence of the drummers, and why this seldom-played No Code song has become such a favorite for fans over the years. Enjoy!
Happy 75th “official” episode to us as we continue to embark on our Around The World journey in the Scandinavian territory covering the Oslo, Norway show from 2014. While this show has many ups as well as a few downs, its widely known for being the first ever show that the super rare Lost Dog track, Strangest Tribe, made an appearance at a show. With the Lost Dogs album being out for 10 years prior to this show, there were only a few songs that the band has held out on playing from the double disc. While songs like Undone, Hold On and on one occasion Hitchhiker have been brought to the table, Strangest Tribe was seen as one that would never be touched even though it was incredibly popular with the fanbase. We’ll talk about how big of a shock it was to hear that it was played, and having seen the other version of it, Randy will compare it to the Fenway performance. That wasn’t the only rarely heard song you got from this show. The band powered through a stretch of uncommon songs in the middle of the main set such as My Father’s Son, In Hiding, Sad, Light Years and Garden and then would power through the encore with songs like Satan’s Bed, Leash and a rare rendition of Rolling Stones cover Waiting On A Friend.
In this episode, we look back to the Fairfax 1994 show that Pearl Jam took the stage for just hours after hearing the news of Kurt Cobain’s death. On what was an emotional night, especially for Eddie, the band makes the best of a bad situation and puts together a passionate, spirited performance among the grieving fans. We’ll discuss in this episode the band’s reaction to his death and how it would impact their decisions moving forward as they would be looked upon to fill the void that Kurt left behind. The generation that mourned his death naturally drifted towards Eddie for answers, ones that he wasn’t necessarily ready to provide. We’ll also get a visit from a fellow Pearl Jam podcaster. Roche from Jamily Matters will join us to talk a little bit about being at this Fairfax show which was the first one he attended. He’ll capture the atmosphere and uncertainty in the building from the crowd during this incredibly challenging day. Also a big thank you goes out to Jed Garfunkel who requested this episode, we’ll be telling his story on the show as well.

As we wind our way through Europe in our Around the World series, we felt like we had to cover this little show, the only time the band has ever played in Finland. Opening up a run of shows for Neil Young and on the verge of the ill-fated U2 opening slot, we find the band seemingly running on fumes, the nonstop turning of the gears perhaps finally getting to them. Ed’s voice is not in great shape as well…would they be able to muster up a memorable performance? Early versions of Animal, Glorified G, and Daughter make an appearance, as well as some new Porch tags. Nauttia!
This episode we dig back into Ten era Pearl Jam where the band was touring Europe right at the height of their popularity. Our Around The World series continues covering a Stockholm, Sweden show from 1992. This show is important for a lot of reasons. After this show, an incident where the band was robbed backstage combined with the next day at Roskilde where Ed got into a fight with a security guard led for them to cancel 7 remaining dates on this Euro tour. A few of those festival dates they were set to take the stage alongside Nirvana. As for the Stockholm show, they were in a good mood that day and debuted two cover songs in the pre-set – Driven To Tears and Throw Your Arms Around Me. The set is full of Ten songs, a Fugazi Easter egg hunt, and a unique closing sequence of Release and Footsteps.

We’ve reached our third installment of our Bridge School Series finishing up the classic two night stay from 1994. This preview for Vitalogy with Jack getting his second tryout with the band features early and eclectic versions of the new tracks.
Not For You is played in a way that it’s never been done before and Immortality is shared for the first time since the famous Orpheum show including brand new lyrics that we are used to today. This 7-song set also features the first stage rendition of Bee Girl in the encore following night 1’s lead of using an unplayed deep cut when they did Let Me Sleep.
And of course you get all of the expected Bridge songs – Black, Elderly Woman and Daughter. Let us know what you think in the comments!
What’s a better way to enjoy your time social distancing than reliving some of Pearl Jam’s best shows in their history? This one we don’t have to go back too far as we’ll only travel back to 2018 to cover the Krakow, Poland show – another episode in our Around The World series. This show provides another chance to talk about a smaller city/country that Pearl Jam brings their a-game to. From opening with Of The Girl to busting out uncommon favorites from the Riot Act era, the band was having fun while taking their chances on this very memorable night. But there is no argument that the most important thing that came out of this night was a rare appearance of the Lost Dog track Other Side. Only having appeared two other times at the 2010 Bridge School and Worcester in 2013, this song came as a complete surprise in this set list. Especially in the very early part of the set. This will obviously be one of the only times we get to talk about the song so we do our best to figure out why the band might not bust it out as much as the fans may want them to.

Round 2! We’re back with our second set list draft as John defends his championship against 3 hungry patron challengers! Up first, straight out of Florida but ain’t no Florida man – Eddie Quintana! From Las Vegas, he’s ready to make a few gambles in order to win – Dylan Sumpter! And finally, from John’s home state of Georgia competing in the competition of the most desperate attempt to get the band back to Atlanta – Chris Everett! Check out the episode and the set lists and let us know who you think won this battle! We’ll be putting up a poll for vote later today, the winner will be crowned champion and will be back to compete in April!
This episode was originally meant to be a celebration of the 1st leg of the Gigaton US tour, but due to circumstances surrounding the current global pandemic these plans were postponed. In the middle of recording this episode, we learned the news of the postponement. We went into this excited, discussing our plans and pumped to hear new music in Toronto and finished off dejected, not knowing what the next move would be. Now since we are all attempting to quarantine and stay as far away from COVID-19 as possible, keep in mind that Pearl Jam postponing was one of the first dominoes to fall and the news coming before bigger news such as the cancellation of March Madness gave us a major shock. Regardless of that, we do our best to put together an episode featuring a really unique setlist. If you’ve been a listener of this show since day one, you’ll remember how obsessive Matt was with hearing the song Big Wave live. Since this is our first occasion we’ve had to cover the song, Matt makes his return to the podcast for the first time in 9 months. Randy and Matt get excited that both of their white whales are back to back on this show and have somewhat of a regret for not taking the short drive to Connecticut two days after the MSG shows of 2008. Also joining us on this show is Dave JanTausch from LiveFootsteps.org, a statistical Pearl Jam tour tracker site that focuses on advanced numbers of the band’s live catalog. Dave was at this show and will talk about some of his favorite moments, including an accident that almost ruined the show for him entirely.

A little extra episode since we haven’t had one in a few weeks. In this show we take all of the information out there about the Gigaton record and pick our Top 3 we’re most excited for based off of that. And we share some extra clips that just missed this week’s Budapest episode.
Coming off the heels of a major tour announcement where the band will be postponing the first leg of their Gigaton tour, we use the mantra “the show must go on” and use this time to continue to reminisce over the history of Pearl Jam. For now we go back Around The World to this year’s first stop in Europe discussing Budapest, Hungary from 1996. This is their only show in the country to date, but if all goes as planned they’ll be making their long awaited return this summer. This was a nice little No Code era show that might get lost in the shuffle. The most notable moment from this show is likely the live debut of Lost Dog, Black, Red, Yellow. We talk a lot about the No Code era during this tour and whether the band might’ve thought they were losing steam with their fanbase due to the record’s poor reputation at the time. But the band took it with stride and were still able to utilize the new songs in unique ways live. The show has fantastic versions of No Code tracks Who You Are and Habit as well as great performances of Daughter and Immortality. Joining us for this episode is Branden Palomo from the Better Band Podcast. If you want to be a guest on his show, reach out to him via social media on Facebook or Twitter.
When you think of shows from the modern era that are known for their rare gems and put it up against the set list from this Chicago performance 26 years ago, it would still be considered rare. Today’s episode features some of the earliest performances of the best tracks off of Vitalogy such as Last Exit, Not For You and Spin The Black Circle as well as songs that would be considered impossible to hear in 2020. As Ed battled a cold in front of 2,500 fan club members only days after selling out a 13,000 Chicago Stadium, he declared very early on that they were gonna play a bunch of random shit. The Vitalogy songs were still in their early stages so the fans were treated to a preview of the future, but they were also treated to some of the rarest songs in their catalog from that time. Chaser songs such as Hard To Imagine, Alone and fan club song Angel for the most part are songs that people who have been to multiple shows in the last decade or two probably have yet to witness. Can’t forget the magic number 4 on this show as many of the songs mentioned above were being played for their fourth time, including Yellow Ledbetter. The biggest moment from this show developed from Ed’s shenanigans during Porch as he had a scare after diving off an amplifier. Ed put on a hell of a show making the crowd think he was legitimately injured before finishing off another furious version of the song. Thanks to our Patron Dylan Sumpter for requesting this episode!
We travel back around the world to look into one of the shows from the 2003 Japan tour. This being an early show from the Riot Act era, the band was still getting a feel for how the new songs worked on the live stage. Joining us for this episode is patron Eddie Quintana to talk about his passion for the album and the era. Nagoya is a unique show, but one that doesn’t get brought up enough in the pantheon of Pearl Jam performances. It took place in a small college theater holding only a few thousand in attendance, and while Eddie had to use a translator to connect with the crowd, the usual songs with sing-along sections such as Better Man and Daughter lacked their usual punch. It’s interesting to witness this as we break down how the call and response in the hit songs fell by the wayside in some of these Japanese shows. Another thing that made this show different centers around a lengthy, jammy improv in the middle of the set without Eddie’s presence followed up by a completely different take on Immortality. The jammy songs were certainly in the forefront as we’ll discuss a tremendous rendition of You Are that fit the mold of this set. Other Riot Act era songs that we don’t get to discuss often such as Love Boat Captain, Get Right and the LO4L debut of Bu$hleaguer will get major focus as well.

1-2-3-4, we’re back with our first Evolution episode of 2020! We’ve been promising this one for a while, and we’ve finally gotten around to doing Porch! We’ll talk about the early versions where the song was used as a platform on television for Ed to get his viewpoints out on being pro-choice, as well as of course the antics of Ed during the early days of Drop In The Park and Pinkpop, and before my co-host kills me, of course we play Atlanta 94. We’ll also talk about the transformation Porch went through in the modern era of the band where they went to an alternate, riffy intro. Thanks to Patron Brad Piasecki for joining me on this one!
In 2018, sandwiched between The Home Shows and two nights at historic Wrigley Field, Pearl Jam headed to Big Sky country in Missoula, Montana to benefit Rock2Vote and Sen. Jon Tester’s re-election. On this week’s Live on 4 Legs, hosts John Farrar and Chris Buckley give the local boy, bassist Jeff Ament, some love as he takes center stage for this concert, featuring Pilate, Lowlight, Bee Girl, and other Ament-centric material, as well as pointed covers of Know Your Rights, Imagine, and Throw Your Hatred Down. We’ll also spend time discussing the most controversial poster in Pearl Jam’s history depicting the White House in a blaze with the former President’s carcass remains burnt to the skull. Thanks to patron Dan Opallo for picking this week’s show to cover!

We continue our series with the second ever Bridge School performance for the band in 94. Hear us break down the first live version of Daniel Johnston song Walking The Cow, an early version of Corduroy before the album was released, a rare appearance of Let Me Sleep and Jack Irons official tryout with the band. Thanks for subscribing and enjoy!
This is a special episode because for the first time ever, there will be not one… not two… but THREE shows that we’ll get to talk about on this episode! We continue our trip around the world by taking on Southeast Asia in places such as Manila, Bangkok and Singapore where the band hasn’t played in since. The reason why we’re lucky enough to cover 3 shows in this one is because the set lists are fairly short and somewhat similar. This was Jack Irons first tour with the band so it makes sense that they’d keep things simple so that he could adjust, but each show has multiple components that make them stand out. Manila is known for a fan getting onto the stage during Even Flow and security having difficulty handling it. Bangkok is known for the third time that I Got Shit was ever played and the only time that Immortality closed a show. In Singapore, Ed smashed a hole through the stage and the band would enter back through it during the last encore. Also a big part of conversation in this episode is the very taboo Vitalogy documentary that has circulated on YouTube for the last few years. They shot footage on this tour for the purposes of releasing it, but were restricted in doing so. This documentary for years was forbidden to talk about on the Pearl Jam forums and extremely difficult to get your hands on.

Hello all! This episode of Devo is for all of you who are participating in the fantasy league. John and I do a mock draft of how the first 3 rounds should normally go, what picks make sense where, and other dos and don’ts. For those of you who drafted already, we pick our early favorites in some of the leagues! That, and one or two extra clips from this week’s episode. Stay tuned until the end of the episode for a preview of what’s coming on next week’s show!
So we’ve been back n forth covering all different eras in the mid to late 90’s lately, but we don’t have to travel too far to get to this episode as only a Gigaton of news has happened since then. We cover the second night of the Seattle home shows. Thanks to our Patron, Adriane Petersen, who made the request for the episode! We emphasize it so often when discussing this one – this was a homecoming show that paid tribute to early-era Pearl Jam with songs that the folks from day one may remember seeing them playing in clubs like RCKCNDY and the Off Ramp. Oceans, Footsteps, Leash, Rats and even the essentials such as Alive, Even Flow and Porch were seen as a throwback to the band’s roots. And to prove that this one was legit, this was the only time since the album released that they hadn’t played a song off Lightning Bolt. But with all of the fun that the band had on stage with their Seattle buddies helping them along the way, we can’t help but discuss what this 35-song marathon means for future shows. Seeing as how the band is going on tour with an opener for the first time in 8 years this year, we wonder if the length of this show and the band’s lack of stamina in their older age has something to do with it. Wait for it around the end of the first encore, the band had a rough time making it out of some spots in this show that was otherwise full of energy.



