This episode we take on some uncharted territory as we head to the heartland of America to cover a show from Lincoln, Nebraska on the Lightning Bolt tour in 2014. The state had been a flyover state for them since 1992 so this crowd, with the show being 22 years in the making, showed them why some of the often forgotten states deserve more love. Joining us for this episode is our Patron Curtis Hames who was there that night with many stories to share. When you think 2014 shows, Moline is probably the first that comes to mind. The Moline show where they played No Code track-by-track happened 8 days after this show, and you have to wonder with three No Code songs mixed into this setlist, was this in preparation for that night? There were also 3 Binaural tracks mixed in this show which is pretty rare for any show in the past decade. There are three moments to look out for in this show. One is within the middle of the set where Ed makes conversation with a child celebrating his 6th birthday and sung 1/2 Full directly to him. Another moment came during a wild version of Porch where Stone took a solo and Ed went all Miley Cyrus and swung on the green orbs like a wrecking ball. And in the final moment of the show is a very memorable Yellow Ledbetter where Ed was using a faulty mic and led to some humorous moments, including him singing into a beer bottle.
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In this episode we dive back into our Seattle Series celebrating the 30th anniversary of the band by reliving the best hometown stories. This one may be the cream of the crop. Everybody knows it, you’ve all seen the pictures, maybe you’ve even imitated the antics at some point in your youth. This episode dives right in to the infamous Drop In The Park show from 1992. We’ll talk about how this show had some hiccups getting underway in May of 92 where just days before the event was set to happen, the mayor of Seattle canceled it due to safety and traffic concerns. The band pushed back, especially because it was an event to encourage voter registration, and they were able to reschedule it to September only a week after finishing up the Lollapalooza tour. And of course there is the show… and Ed and what he did. It goes down in history as one of the craziest stunts he’s ever pulled. It was fun to go back and basically do a play by play of this as it was all happening. It’s one of the band’s most iconic moments and images and we discuss where this stands on the all-time most important shows list.
Bundle up and put on your Bernie mittens because this episode will leave you freezing your ass off! This one covers the infamous Ice Bowl show from Alpine Valley on the 2000 tour. On an October night where temperatures dipped down to 28 degrees, the band took the stage and ripped through a 26 song setlist as if they were inside an arena. Joining us to share his stories is our Patron, Kirk Walton, who was there that night to witness all of it! After you see the band take the stage wearing jackets and blowing on their hands to keep warm, they burst through Of The Girl and Hail Hail before Ed greeted the crowd by welcoming them to the Ice Bowl. The nickname given to an infamous Packers/Cowboys game at Lambeau Field in 1967 where they played in -15 degree temperature conditions. From there on out, the band zipped through the set playing familiar songs in order to keep the crowd warm. From all this information shared, you’d assume the band would’ve struggled throughout this set, but quite the opposite! If you listen to the boot, there are small instances where you can tell what the conditions are (Ed singing “it’s too fucking cold to sing” during Corduroy) but aside from that, if you replaced this with an arena show bootleg you would barely be able to tell the difference. The band jammed through great versions of Insignificance, Dissident, Black, Porch and Smile to help make this memorable night unforgettable.
We’re runnin’ back to Saskatoon! In this episode we head to the prairies to tackle a show in an unsuspecting Canadian location from the big 2005 tour. Joining us for a chat is author of the book This All Encompassing Trip, Jason Leung. His book touches up on what it’s like for a fan to follow the band around for an entire tour and since he just dropped a brand new hardcover book, he’ll join us to talk about all of his experiences in 2005 and 2006, including this Saskatoon show! So ask mentioned above, Saskatoon is not a prime concert location or vacation spot. It’s located in the prairies of the Saskatchewan province, which would lead you to believe that maybe this would be a smaller crowd that they may not get the kind of reaction that you’d expect from larger Canadian cities. But as you’ll hear in this show, the crowd was on fire for this one the same way a crowd in Boston, London or Sydney would be. After 15 years of the band utilizing the city as a fly over, the fans were ready to erupt and show their love. There are some great moments from this one that we can’t wait for you to hear. Attempting to appease the crowd in the encore, the band takes the stage with an impromptu version of The Guess Who’s Runnin’ Back To Saskatoon which was played on the spot unrehearsed. There’s also great versions of I Got Shit, Whipping, Daughter, Porch, Present Tense, Alive and Off He Goes jam packed into a short but very fun show!
This episode takes us down to Jacksonville, Florida where the band kicked off their 2016 tour playing four dates in a state that they hadn’t played four years prior, but outside of festival shows hadn’t played since 2008. Joining us to help tell the stories from this show is Horizon Leg Patron Chris Everett! As the tour was happening 3 years after the initial Lightning Bolt touring leg, the band was at liberty to utilize pretty much anything in their catalog without the necessity of promoting an album. All 10 studio albums are accounted for at this show, this is including some of the more obscure in their catalog. Representing Binaural is the seldom played deep cut Rival, Army Reserve made an appearance as a dedication to veterans down in Jacksonville and Riot Act’s contribution was the rarely heard song Ghost dedicated to well known super fan Dimitri. But potentially the best of the rare cuts that night has to come from a version of Of The Earth because any time that that song graces our presence live its a special moment. A booming performance in the middle of the set plopped directly after Even Flow was absolutely a highlight of this night. There’s also the appearance of Glorified G which, if you’re looking at the date of this show, is only 3 days prior to the Greenville show where Vs. was performed in full. The band probably knew what they were doing for Record Store Day and used the song as practice. Speaking of RSD, we also get the lethal combo of Let The Records Play and Spin The Black Circle which was also brought back in Greenville.
This episode begins our 2021 year-long series featuring important shows from the band’s hometown in Seattle. We kick it off with a great show from the Mural Amphitheater right outside where the Space Needle resides. This show is notable for so many things. It’s their final show they played before the official release of Ten, it’s the first show that drummer Dave Abbrusezze joined up with them and it’s the first performance in an outdoor venue. In this episode we’ll talk a little bit about this time period and has the turbulence of going through two drummer changes within a 3 month span didn’t seem to deter them from going out and playing shows. Although this might’ve been Dave A’s debut, you would’ve never been able to tell by the way the band presented themselves. It’s a Ten era show and maybe the unofficial kickoff of the Ten era, but it felt like the band was destined for bigger things at this point. Getting their own spotlight on a stage right in front of the Space Needle was exactly what they needed in order to grow and evolve into the superstardom that would develop in the following year.
Our final stop of the 2020 Around The World Series leaves us in Canada to talk about a show from Toronto where they did they inconceivable and played the Binaural record in full. The band at this point is coming off two full album shows in 2014 as well as two earlier in 2016 with Vs. in Greenville and Ten in Philadelphia. Since Toronto was the last spot on the tour and a city that the band has such rich history in, they busted out the album with possibly the rarest songs they’ve ever played live. While this is such a huge treat to all the Pearl Jam lifers, Binaural isn’t an album that resonates that well with the casual crowd. So 13 songs in a row that they almost never play live will leave you a mixed reaction no matter how you slice it. But the situation was of course unique and a service to the many late era fans who probably checked off a lot of serious collector boxes this night. God’s Dice, Evacuation, Rival, Sleight of Hand and Parting Ways are songs that were barely consistent in their set when the album came out in 2000 so to get them here, and as a podcast we don’t get to cover these songs too often, it’s a treat break these songs out of the back catalog. Along with the entire album we’ll discuss the rest of the set, the hits and misses and what made this show so hard to construct a set for.
This is the penultimate episode in our Around The World series as we dip into this great Mexico City tour closer from 2003. There are many ingredients in the recipe for a perfect show, but the integral pieces from this set are so unique and unlike any other of its kind. First off, it’s a tour closer. Second, it’s a lucrative night 3 show, those don’t come around too often. Does it have rare songs? You bet! Guest appearances? Hell Yeah! Well, it can’t possibly happen to have all of that AND be on the birthday of a band member, right? Oh, you are in for a treat my friend! The band says goodbye to the far traveled and controversial Riot Act tour by throwing a massive party to celebrate. It happens to be the founding member, Stone Gossard’s date of birth, so what’s a better gift than to bring out a mariachi band to sing Las Mananitas, La Bamba and Guantalamera? You can tell from the energy on the stage how good a mood everyone is in for this show as they play up to a red hot crowd and hangout with friends and tour opener Sleater-Kinney. Big highlights from this night include an opener of Wash, Hunger Strike feat. Corin Tucker, Black, Rearviewmirror with an improv, Mankind for Stone and a phone call to none other than Johnny Ramone before a performance of I Believe In Miracles. It’s a show more than worthy of a high spot on Pearl Jam’s all-time lists!
In this episode we’ll focus on the one and only time the band took a trip down to Central America as Ed and Boom were able to catch some waves down in Costa Rica. If your expectations for this show are as high as any show in Argentina, Brazil or Chile, do yourself a favor and lower them immediately. You cannot go into this show thinking that the crowd is going to be red hot for everything. They had their moments where they came through and sounded pretty good on the boot, but this should not be lumped into the same category as shows from those other nations. With that being said, this show coming towards the end of the 2011 run which was still promoting an album that many people deemed unspectacular doesn’t raise a lot of eyeballs. Some nice moments such as a Vs. opener combo of Go into Animal, a great Daughter/Why Go transition that was completely dictated by the crowd and a nice little surprise Oceans in the encore are enough to raise eyebrows, but some strange setlist decisions and way too much from Ten doesn’t set this show enough apart from others. We’ll dissect what worked and what didn’t and we’ll also mention a mini riot that occurred near the beginning of the show.
In this episode we discuss one of South America’s finest performances down in Buenos Aires, Argentina in 2013. This continues our Around The World Series that only has 3 more episodes that remain after this! We’ll hit up Costa Rica, Mexico and Canada to close out 2020. The Argentinian crowds… hoo boy! They are something special. This show being a part of a festival set was nothing on the rare side, but in every single song they played you could hear and feel the crowd’s reactions. From the opening of songs like Even Flow, Given To Fly and Hail Hail the crowd sings the patented guitar parts and at some points does it louder than the band. It happens all night, even on the songs you least suspect. Even something more quiet like Just Breathe has a massive crowd response. You won’t want to miss this episode if you love the way the band interacts with the crowd. As we’ll share, you’ll hear in two separate instances where Ed will have to completely stop a song in order to collect his thoughts. On a highlight such as Daughter, you’ll get to hear Ed tap into his inner bi-linguist as he sings the entire It’s OK tag in Spanish in what’s a massive highlight.
In this episode we celebrate the city of Atlanta, Georgia that deserves praise for their tremendous voter turnout helping the state go blue for the first time in 28 years! And Atlanta knows about long periods of waiting because in this episode we’ll discuss the last non-festival show in the city that happened 17 years ago! That’s FIVE albums since Atlanta has gotten a proper show! This one is an important one, and we invite long time patron Glenn Bobe to tell his story from that night. After a contentious performance in Nashville the night prior, the political rage was building up during this time period. Anything having to do with patriotism, support of President Bush or the Iraq War set the band off. This show has a moment from the very early onset where an oversized American flag was blocking the view of fans seated on the lawn. This set Ed off during an aggressive performance of Grievance and set the tone for a night where politics needed to be part of the conversation. But that was the era – a tumultuous time that had everyone on edge. However, the band brought their A (or B+) game for a show that doesn’t get talked about all that often during this era. This show had its crowd pleasing moments with a few rare appearances including Glorified G that made a comeback that year, Present Tense that was played for the first time in 65 shows and only the 3rd appearance of Crown of Thorns with the first noted Chloe Dancer tease accompanying it. You’ll also hear stellar performances of 1/2 Full and Black and a moment in Corduroy that is commonplace for today’s versions, but was potentially snuck in for the first time here.
In this episode, we dig into the band’s only show in Colombia from the 2015 continental tour. As per usual with the South American crowd, they are on fire. From Ole chants to the patented singing during songs like Do The Evolution, Better Man, Even Flow and Black. The band gets themselves acclimated nicely to the new country and even shares a statement for violence against women awareness where they all wear orange t-shirts in the final set.
This is the final episode in our coverage of politically charged Pearl Jam shows and we finish off with a Vote for Choice show that became a Vault release in Constitution Hall 1998. Just like Charlotte 1996, this show was accompanied by Gloria Steinum with registering to vote as the priority of the night. This show is a Vault for a reason. Whenever they release a show as a Vault they do it consciously knowing that there are going to be songs on this release that you don’t often get to hear live. Right off the bat, Act Of Love as the 2nd song in exemplifies that. They first time they played Act Of Love was in that same venue, it happened to be twice in one night for the same voter benefit show. Considering they’ve only played this song 10 times and only once since this night, it was easily one of the most memorable moments. Other rare live moments that you get from this show were two of the rarest from Yield – All Those Yesterdays and Push Me Pull Me. We talk a lot about big moments from this show such as Black with a blistering McCready solo and multiple songs where Ed’s gravelly growl is in full force.
Warning: This episode contains sensitive topics of a political nature including the landscape of the world after the 9/11 tragedy. The energy in this episode is more angry and fired up than usual, which is saying a lot. If this seems unsettling to you, please avoid this episode. So it’s come to this. You knew we couldn’t have a series featuring Pearl Jam’s most political moments without talking about this polarizing show. Nassau Coliseum will forever go down in infamy due to the perceived controversial actions that Ed displayed on stage, but even moreso due to the horrid fan reactions that followed. Anyone who has seen PJ20 remembers this story: Ed comes out on stage dressed up in his sparkling silver jacket donning facial wear representing then current President George W. Bush. They performed the track called Bu$hleaguer off their touring album Riot Act that so eloquently called out the President’s actions. Ed riled up the crowd by mocking the maligned leader. He put a cigarette in the mask’s mouth and poured a bottle of wine into it. He also displayed affection with the plastic piece of paraphernalia. Whether it was done to incite a riot or not (it was) the crowd retaliated by throwing quarters, garbage, t-shirts or whatever they could find onto the stage that had the band fearing for their lives.
This was only 17 years ago and our average listener is probably in their 40s, so it’s a high probability that you remember the time period, one that this current administration makes look like a favorable memory. While the country struggled to cope after the events from 9/11, the situation was escalated in suburban townships in Nassau and Suffolk County Long Island. Everyone knew someone who was affected. Maybe your neighbor was FDNY, its possible your cousin was a first responder, or even worse, you had a friend or family member in one of those buildings or on a plane. Any way you slice it, the area was in such close proximity to the attack that it was impossible not to feel the lingering effects.
With sadness comes pain and pain can turn into anger. Anger can turn into anything. It didn’t matter to them who it was – Afghanistan, Iraq it didn’t make a difference. They were attacked by people who looked different than them and turned jingoistic acts of racism into justifiable reactions. This was life on Long Island from 2001-2008.
Okay so there was actually a show outside of this mess of a controversy and it turns out, it was pretty damn good! 2003 was the sweet spot. Veteran songs such as Animal, Not For You and Even Flow meshed well with the rookie standouts like Save You, I Am Mine and the now super rare cut of Get Right. It gets lost within the headlines, but had this show gone a different route, people may be calling it the best from this tour.
On October, 22 1990, Pearl Jam played their first show as Mookie Blaylock at Seattle’s Off Ramp venue. To celebrate the monumental occasion, we’re going back two decades to the band’s ten year anniversary that took place in Vegas on the Binaural tour. Joining us for this episode for some crossover love is Branden Palomo from the Better Band Podcast. While the band came out to celebrate the moment, Ed did his best to try to downplay the situation (even after he thanked Stone and Jeff for “recognizing his great talent”) by telling stories of that first night at the Off Ramp and not even being able dream that they could be in the position they were in. The fans brought balloons to shower them with during the encore, but there is one moment that gets discussed from this show that holds precedent above all… This was the first moment that Pearl Jam ever played a song written by Mother Love Bone and they chose Crown of Thorns. While the death of Andy Wood had always been a part of their history, it was something that was never quite addressed publicly. It’s an important moment in their history for so many reasons in which we’ll discuss in full detail in the episode, but this was a major part of their healing process after the Roskilde tragedy. When Ed gave Jeff and Stone a hug, it was the bonding between two entities that were so intertwined, yet had never met until that moment. Mother Love Bone and the life of Andy Wood forever became part of Pearl Jam’s story.
We continue the politically charged Pearl Jam theme with a show that sets the standard for the band’s dedication to encouraging their fans to vote. Originally dubbed as a retirement party for former NC Senator, the bigoted Jesse Helms, this show in Charlotte prior to the 1996 election was one where the music was secondary to the mission which was to get the young people in attendance registered to vote. Joining the band on this night was activist Gloria Steinem who made a poignant speech about the importance of voting that can be repeated 24 years later and still have the same importance. On many occasions Ed would repeat that sentiment, even at a point during Porch where he painted a picture of the America that we as people can build together where everyone regardless of their race, gender or sexual orientation could live free of hatred and bigotry. It was a maturing moment for the band as they’d expressed their political beliefs in prior years, but took this time to be proactive in helping achieve their goal in signing up registered voters. Over 1,000 new voters were registered that night. And wouldn’t you believe that the music was pretty good too? The band had to deal with a wild crowd that took to surfing and moshing right from the start of Long Road. Yeah, Long Road. On numerous occasions Ed has to calm the crowd down even invoking the two steps back practice to alleviate the rambunctiousness. Key highlights from this show include In My Tree, Immortality, Red Mosquito, Whipping and I Got Shit with the inclusion of Brendan O’Brien on bass.
Hey, won’t you look at that? We’ve hit another milestone! This is our 100th (official) episode and what a way to celebrate then to kick off our series of political Pearl Jam shows. Thanks to a major 2020 election, we thought a great way to remind people to vote would be to share the best of the voter outreach shows. Toledo 2004 might be the most memorable of them all. We’re joined by long-time listener Bradley Piasecki who was in attendance this night. He walks us through step-by-step what it was like to have no idea that Neil Young was set to take the stage and create an important moment in the band’s history. The rumors swirled around prior to the start of the show when Neil joined them for a soundcheck and Ed teased the crowd that some magic was gonna go down. And boy did it ever. While PJ took the stage to play a shorter than usual 13-song main set, at the end of the first encore Neil joined Ed for Harvest Moon and that signified that Pearl Jam was merely the opening act of the night. The second encore featured tons of surprises including another guest appearance in the form of Peter Frampton and old favorites such as Act of Love and Cortez The Killer.
Continuing our trip through South America, this episode we bring you to where it all began in 2005. This show from Santiago, Chile is the band’s first ever in the continent, and while there was some hesitation and concern due to the crowd’s size in the early onset, the boys found their comfort zone and fed off the energy of such a passionate group of fans. Joining us on this episode is our friend and Patron Javier Hervas who gets to talk a little about his experience of living down in Chile and never getting a chance to see the band. He’ll discuss the crowd and how early they were to get there, what it meant to hear the band kick off the show with Release and Corduroy as well as the influence that The Ramones had on South American fans and why their performance of I Believe In Miracles was so special from this night. We’ll listen to some outstanding performances and crowd reactions throughout this night including a powerful Even Flow, an outstanding version of Save You and a rendition of Black that blew the crowd away.
We’re finally here! Around The World has taken us to South America and what better way to start than in the biggest country, Brazil! This week we’re celebrating a Sao Paolo show from 2015 that had incredibly emotional ties to it being performed only one day after the Paris terrorist attacks. The band knows when they are in a position of power to bring people together in a time where its needed, and right from the start, Ed makes sure that 60,000 in this crowd are part of a family. There are no lack of emotional moments in this show and that’s always apparent whenever Long Road pops in as your opener. During Love Boat Captain he has the crowd in his full grasp capturing an incredible moment where he goes back n forth at the end repeating the word love. The emotion continues when the approach Come Back and then again in the encore for Imagine, Sirens, I Am Mine and Black. The healing power of all these songs are immeasurable and you can feel the crowd attaching themselves to every moment. Not only did they have to battle the state of the world, they also had to battle the weather conditions of the night. Ed even quips during Lightning Bolt by saying it’s a clear night tonight just for the Gods of rock n roll to strike down upon the stage with rain and major windstorms. In a moment of turbulence, Ed calms the crowd with a beautiful rendition of Elderly Woman giving them a spotlight while the rest of the band takes safety precautions. The rain would continue to come down, most notably during Better Man where it looked as if bullets were dropping from the sky. And as always, the crowds are what make these Brazil shows so good. Getting amazing sing-alongs on Do The Evolution, Jeremy and RVM are the reasons why the band keeps going back down there for more. Thanks to Black Circle for joining us, we included a byte from their episode that we saved for this one talking about some of their favorite Brazil show moments. And thanks to fan page Pearl Jam To Fly for selecting a great show for us to discuss!
We conclude the European portion of our Around The World series with a stop in Lisbon, Portugal that happened to be the final night of the No Code tour in 1996. The band and crowd brought their a-games and it made for an electrifying atmosphere with lots of chanting and hi-jinx abound. A big talking point from this show is centered around Mr. Stone Gossard who’s parents were in attendance to witness the event. You can tell its a setlist curated to some of Stone’s favorites because he’s always been a proponent of getting the hits in the set – which is why we see a three headed combo of Even Flow, Jeremy and Daughter in a row. But they also take a few fan requests to play some rarely heard tracks, one of which wasn’t played due to Stone forgetting the song entirely. Other cool facets of this setlist include the OTOTO opener of Who You Are, which would almost fade into oblivion after this tour, Not For You which features a classic Ed moment where he takes a second to rant about the meaning of the song, an Immortality that absolutely steals the show, and then of course Ed makes love to a push broom during Porch. How else is a tour supposed to end?