July 17, 2016 – Pemberton Music Festival, Pemberton, BC, CAN

Show Notes:

A throwback to the early 90’s as a staggering 8 songs are played from Ten and another 2 from the era! The band begins the show seated for Release and Footsteps, echoing the relaxed feeling of the setting.  Daughter is…

Show Notes: 

A throwback to the early 90’s as a staggering 8 songs are played from Ten and another 2 from the era! The band begins the show seated for Release and Footsteps, echoing the relaxed feeling of the setting.  Daughter is initially tagged with the song “Dream Baby Dream” by Suicide, before “Another Brick in the Wall Pt. 2” takes over, with a lyric change: “leave your fucking guns at home.” Present Tense begins with Ed pointing out a tree as “that one” in the first line. Ed makes an impassioned speech about evolving prior to Do the Evolution. Following Lightning Bolt, Ed toasts Alan Vega, a founding member of the 70’s New York band Suicide, who had passed the night prior, saying that he “influenced everyone from Bruce Springsteen, Johnny Ramone I know talked about them a lot, and I bet Jack White with his two piece band…so I’m just thinking about him and thanking him for leaving such good things behind for us to keep forever,” leading to the one time, one time only full cover of Suicide’s “Dream Baby Dream,” perhaps inspired by the previous Daughter tag. Ed fumbles the last lines of Wishlist, offering “I let you down,” and then doesn’t do the familiar E-bow ending. The unreleased Of the Earth is played for only the 12th time.  Out of the encore break, Ed dedicates Oceans to “my good friend Margaret and her good man Daniel.” Funny moment during State of Love and Trust as Ed tosses the mic to the crowd but misses, and has to retrieve it himself and finish the song. The crowd helps out on Comfortably Numb and Ed plays the piano at the end. Black features Ed singing “Goodnight moon” during the outro. After Jeremy, He wishes Stone a happy 50th birthday, which leads to a rendition of “Happy birthday” for Stone from the crowd. The cake is then inevitably smashed into Stone’s face, then Ed’s, and then the crowd! Ed adds, “Thank you Pemberton, you’ve made it all great. Take care of each other underneath the stars,” which leads to Alive.  During the solo, he takes a trip around the stage to view the crowd, adding “Look a baby, hey baby. Dream baby dream.”


May 12, 2016 – Air Canada Centre, Toronto, ON, CAN

Show Notes:

Jeff is wearing a t-shirt that reads “WE THE NORTH WEST,” a running theme started at the first Toronto show two nights before. The greeting comes before the callback in Corduroy with “welcome to the last show,” describing it as…

Show Notes: 

Jeff is wearing a t-shirt that reads “WE THE NORTH WEST,” a running theme started at the first Toronto show two nights before. The greeting comes before the callback in Corduroy with “welcome to the last show,” describing it as feeling like the “last day of school, let’s make a night of it.” During Brain of J., Jeff ducks and then laughs as Ed rushes to catch something dropped from above. After Animal, Ed says “good things been happening in this building in the last couple days,” in reference to the first Toronto date and the NBA playoff game the previous night, and toasts to being able to play the last show in Toronto. Following Garden, Ed mentions the victims of the forest fires in Alberta and Manitoba evacuated days earlier and that the band will continue to “send some dough their way” from concert proceeds, and dedicates I Am Mine to “being safe and secure, however temporarily.” Good crowd participation during Nothingman. After Cropduster, Ed explains the origin of the line “let the fluency set it down” as coming from drinking wine with an Italian who didn’t speak perfect English, he figured he was trying to say “‘go with the flow’ or something…but then I thought ‘that’s really kind of amazing,’ so I’ve been letting the fluency set it down for quite some time now.” He goes on to tease about most big cities having their own “monument or erection…of course, you here have the band Rush, that’s a monument…we’ve been playing for 25 years and if we wanted to learn a Rush song we’d probably have to play for 25 more,” to which Mike plays a few chords of “Fly by Night” followed by Jeff and Matt with “Cygnus X-1”. Ed returns to monuments/erections by citing the Space Needle and introducing Even Flow as being written right below it. A drum solo by Matt tops off another impressive solo performance by Mike. Ed switches the lyrics to “white male Canadian” during the W.M.A. tag. Prior to Alone, Ed thanks the crowd for their singing and teases “Right now we’d like to play the whole Binaural record for you.” Ed promotes EB research funding during the break and thanks Dr. Elena Pope at the U of T-Hospital for Sick Children for signing onto the effort. On being shown a French flag, he recalls the terrorist attack at the Eagles of Death Metal concert in Paris the year before and dedicates Just Breathe to a fan and victim, Pierre-Antoine Henry, and his kids. Breath is dedicated to their friend Michele (Anthony), who “specialized in working with difficult artists, and we wouldn’t be here without her.” During the Porch breakdown, he lifts up his guitar under a stage light and uses it to reflect light onto people all throughout the audience. The second encore starts with another compliment, “you make it very difficult to leave,” before trolling the audience with “whatever happened to the Toronto Maple Leafs?” During Better Man, Ed holds the song in a loop and banters for three minutes about looking forward to going home, having just taken a quick shot of tequila backstage, a driver on the first stop of the tour speaking offensively, the contrast between that start to the tour and the end in an exemplary city. Boom is introduced before Crazy Mary, Mike jams alongside him on a fiery solo while Ed enters the crowd to mingle. Toronto native Donna Grantis is again introduced to join the band for Baba O’Riley (after also playing at the previous show), and Ed acknowledges Geddy Lee at the side of the stage, to which the band plays a bit of Cygnus X-1 again. Ed signs off with a personal “see ya, JP” to a fan he sang Thin Air with at the first show, before addressing the entire crowd: “We the northwest, a pleasure being in the north,” and signs off as Geddy Vedder one last time.

Written by: Eric Stevenson Gonzalez


May 10, 2016 – Air Canada Centre, Toronto, ON, CAN

Show Notes:

Crowd erupts as the intro of Go is played just like on the album. A thunderous Mind Your Manners precedes the Binaural set, with Ed mentioning that they have the next night off (the second Toronto date was pushed back…

Show Notes: 

Crowd erupts as the intro of Go is played just like on the album. A thunderous Mind Your Manners precedes the Binaural set, with Ed mentioning that they have the next night off (the second Toronto date was pushed back a day by their NBA playoff game). He then talks about how the first time in Toronto they played seven songs, and then auctions how many they’ll play that night, “nine, 10… can I get a 13… 18 in the back.” A longer solo from Mike on Breakerfall helps tear open the album set. Evacuation is introduced with a reflection about fire alarms and expecting to be told it’s a false alarm, remembering the over 88,000 people evacuated days earlier due to wildfires in northern Alberta. Ed introduces Thin Air by explaining that it’s one of his personal favorites of Stone’s: “if we ever had a popular song, this would be the one” and describes how he’d imagined a love song-style video. Near the end, he visits the crowd, takes a fan’s hand, and puts his arm around him while they both sing the last chorus together, essentially recreating his idea for the video. Back onstage, Ed quips “What’s your name? JP? Meet you after the show, handsome.” Ed enters Sleight of Hand too early, Stone stops playing immediately and Ed gestures to the band to start over while pointing to himself to accept the blame, then turns back and tells the crowd “the thing about vinyl records is sometimes they skip…let me clean the needle.” The song is restarted and finishes strong. Soon Forget is prefaced with “it wasn’t written about anybody in particular…now I realize it’s exactly about Donald Trump” before going on to muse about the band moving to Canada and Ed changing his name to Geddy Vedder in honor of Rush. The crowd whistles back at the “we’re all whistling” line and Ed eggs them on, hanging on to that chord. Ed holds out the last note in Parting Ways for several seconds amidst guitar feedback, pick scraping, and resolute drumming. Corduroy has an extra burst at the end, and a breakdown jam on Rearviewmirror featuring a Jeff and Matt standoff. The second set opens with Ed checking on the crowd and counting off all their good memories of Toronto, including all the other bands they’ve seen play, and joking about how good Soundgarden’s drummer was as a prelude to introducing Matt. Here he announces the band will donate money from their Canada shows to help wildfire victims in Alberta and lists the benefitting groups, before asking the audience to light up the room with their phones for the cover of Imagine. Let Me Sleep is played as a nod to the cold. Even Flow picks things back up and sounds like it has an extra groove to it: Mike puts the guitar behind his head and ventures out to the crowd for the first part of an extended, feedback-laden solo that earns Ed’s applause, and Ed tosses the mic into the crowd for fans to sing the last chorus. Down is dedicated to Howard Zinn, “the ultimate ‘positimist,’ that’s not a word, but….” Ed teases the crowd with a long pause and a swig of wine before a sustained “ohhh-oh-oh” to open the second verse of Better Man. Matt, Jeff, and Ed fling, headbutt, and practice boxing with the lamps that have lowered to stage level during Porch, and give the first encore an amped-up finish with Ed mingling in the crowd and sipping a fan’s beer. Ed starts the second encore with the observation “if they got a crowd tomorrow with this much energy tonight they might win it all” and identifies the band and Toronto as both being from the north: “there’s power in north, north points up.” After Given To Fly, Ed calls everyone’s attention to a fan who’s spent the entire show in a bright orange ski mask and references having worn one at a show by Jeff’s band RNDM but “I didn’t last three songs in that fucking thing…I commend you” and jokingly introduces the fan as Matt Damon (who was evidently in attendance in a different part of the arena).. Black winds down with the Todd Rundgren “Time Heals” tag. The Real Me is introduced by Ed saying “We borrowed a couple of great songs tonight, we’re gonna borrow one more.” Toronto native and Prince guitarist Donna Grantis is welcomed onstage to close the show with Rockin’ in the Free World and steals the show, earning a “we’re not worthy” bow from Mike.

Written By: Eric Stevenson Gonzalez


May 8, 2016 – Canadian Tires Centre, Ottawa, ON, CAN

Show Notes:

Lightning Bolt opens for only the second time, and includes the line “…towards the Great White North…” Ed greets the crowd before Small Town, talking about Trump, the fires in Alberta, and “the fact that Canada doesn’t have a team…

Show Notes: 

Lightning Bolt opens for only the second time, and includes the line “…towards the Great White North…” Ed greets the crowd before Small Town, talking about Trump, the fires in Alberta, and “the fact that Canada doesn’t have a team in the NHL playoffs” as signs of the end of the world “so let’s do some singing and try to make the world right tonight!” Love Boat Captain includes the “let the show begin” line. A fan in the front gets to sing on Faithfull. After Even Flow, Ed mentions that Into the Wild author Jon Krakauer is in the crowd tonight and how his books had a profound effect on him, leading into Setting Forth. Big Wave is played for the first time since 2014 for all the surfers in the crowd, Ed saying he knows that there are at least two. 3 songs from Ten close out the set, and during the encore, Ed makes a toast to his brothers Jason and Chris, who are in attendance. A few rare songs are broken out after the break, beginning with Bee Girl, and the tour debuts of Speed of Sound and Parachutes. Not to be outdone, Love, Reign O’er Me is played for the first time since 2013. Encore 2 starts with Ed playing part of the U2 song “All I Want Is You” on the acoustic guitar. Mike and Stone really bring it during Black, blistering solos by both that bring the crowd to a crescendo. Matt goes nuts at the end of Alive, bashing everything in sight. Fuckin’ Up is for their “favorite Canadian” (if you have to ask at this point…) Great energy from the crowd and band all evening on what most would consider Pearl Jam’s 1000th show.

Written by: Ryan Franke


May 5, 2016 – Centre Videotron, Quebec City, QC, CAN

Show Notes:

Of the Girl opens, the first of 4 Binaural songs in the main set. Matt jumps the gun and starts Last Exit after Small Town but stops and Once is played first. Ed introduces Pilate by saying “alright, this is…

Show Notes: 

Of the Girl opens, the first of 4 Binaural songs in the main set. Matt jumps the gun and starts Last Exit after Small Town but stops and Once is played first. Ed introduces Pilate by saying “alright, this is going to be fun…” Light Years is dedicated to a man and his family. Stone grooves on a powerful You Are. After the first NAIS since 2014, Ed makes a long speech about life and love and dedicates Given to Fly to Valerie and “her great man Jan, who’s still here in the next song.” I’m Open is a nice little gem to break up the pace and breathe after SOLAT, and takes the place of Untitled, flowing naturally into MFC. An almost 8-minute Better Man ends the main set, with Ed riffing on Save it for Later. After the break, Ed says, “I’m going to play a song by Uncle Neil. And to sing like Neil, you gotta sing high, but you don’t have to sing perfect. So I’m going to keep that in mind, and you keep that in mind too in case you want to join in… Neil, one of the things he taught us, if it ain’t perfect, it’s perfect. I’m sure this is going to be a perfect version,” and plays a solo version of The Needle and the Damage Done. The band then joins Ed on stage for an amazing Thumbing My Way. Wash comes out of nowhere to transition out of the mellow section. After Lightning Bolt, Ed sees a kid with a sign in the front row and brings him up on stage, saying “I saw him play this song with his pop” (his mom had sent a video of him playing it) and introduces 10-year-old Noah Keeley. Noah plays along to Sad, and does a great job! Stone plays right next to him and Mike comes over to play the solo beside him. Noah gets a huge ovation as he leaves the stage, and Ed remarks, “Noah, you are a badass. That took a lot of guts,” then continues, “We’re going to play one for Noah’s mom and dad” before launching into Surrender. After the second break, Ed speaks about the Capitales, a local baseball team, and sports a jersey made for them to celebrate 25 years together. He then introduces Daughter, saying “He is gonna start this next song. He wrote it. He wrote all the good ones…Mr. Stone Gossard.” McCready is unreal on the Black solo, pure and powerful. Ed concludes the evening by saying “We will never forget this one.”

Written by: Justin Goulet